Matthew Toffolo WILDsound

Interview with Filmmaker Gonzaga Manso (EDEN HOSTEL)

matthewtoffolo film director, interview, matthew toffolo, Matthew Toffolo WILDsound, producing, Uncategorized , , , , , ,

EDEN HOSTEL was the winner of BEST FILM at the January 2018 Comedy FEEDBACK Film Festival. 

Get to know the director of the film: 

  What motivated you to make this film?

I suppose it was loneliness . When I was 18 I wasn’t very sure about who I really was and often felt like I didn’t belong. In fact everything was OK, it was actually going better than what most teenagers could expect… and, nevertheless, I often felt lonely. Unconnected. Based on that feeling and on a conversation I had about the subject with my then-girlfriend, I wrote this short film.

From the idea to the finished product, how long did it take for you to make this short?

It took us approximately one year. I spent the first three months writing on my own and developing the idea, then we spent about two months preproducing it, 4 days shooting it and about 7 months post-producing it. The postproduction took us way too long because we didn’t have a proper budget and we had to ask for many favors… it was not the best workflow ever.

How would you describe your short film in two words!?

I would do it badly. Just kidding, maybe: holy loneliness? I don’t know

What was the biggest obstacle you faced in completing this film?

Actually it was a financial obstacle: finding the way to produce it with very little money.

What were your initial reactions when watching the audience talking about your film in the feedback video?

My initial reaction was to smile like a child. I enjoyed so much watching the different points of view about the short film and its characters. It was an amazing experience to see all those people talking and reflecting about our shortfilm. I loved it. Thank you so much. I always learn a lot about my own film when I talk to the audience.

Watch the Audience FEEDBACK Video:

What film have you seen the most in your life?

Fight club

You submitted to the festival via FilmFreeway, what are you feelings of the new(ish) submission platform from a filmmaker’s perspective?

Actually, Ismael Martin and his team handle the distribution of our short film, so we didn’t get to do this ourselves.

What song have you listened to the most times in your life?

No idea, I’m always switching between different genres.
I played on a rock band for 10 years, so probably one of our earliest songs… we were rehearsing them nonstop for years.

What is next for you? A new film?

I’m a photographer too, and right now we are developing a new series of photographies. We also have a second short-film, Fortune-teller, which I hope Ismael has submitted to your festival, or will do so when you open for submissions. We are also starting to write the script of a feature length film, that project really excites me.

 

eden_hostel

 

Advertisements

Interview with director Hank Isaac (LILAC)

matthewtoffolo directing a film, film director, interview, Matthew Toffolo WILDsound, Uncategorized , , , ,

LILAC played to rave reviews at the January 2018 FEEDBACK Film Festival in Los Angeles.

Matthew Toffolo: What motivated you to make this film?

Hank Isaac: Lilac started out as a pretty mellow Disney-esque concept which I felt was too “light.” So I rewrote it as a somewhat grittier version, overlaid with the Robin Hood theme. This particular version was my response to the increasing number of children who were committing violent acts on one another.

My idea was to create a character who certainly could hurt of kill but makes a conscious choice not to. The underlying theme is: It’s not always necessary to annihilate one’s enemy to win the war.

2. From the idea to the finished product, how long did it take for you to make this short?

Well, the “idea” percolated for nearly two years. I wrote two drafts of the screenplay over about a month or two. The actual filming took four very long days.

3. How would you describe your short film in two words!?

Tough love.

4. What was the biggest obstacle you faced in completing this film?

Always financing. Always. Editing was easy since we filmed with two cameras. There’s only one mistake that I spotted. CG and compositing were difficult. We did not have the best tools and had to create a ton of workarounds.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was kind of sorry that one person was confused toward the last half (or third) and another felt the dialogue was childish and the acting unprofessional.

Elora, who plays the title character, has already won six international awards and has been nominated for five more. The screenplay alone has won awards. I do love that one audience member actually “got” the adult/child reversal of rolls.

Watch the Audience FEEDBACK Video:

6. How did you come up with the idea for this short film?

I wanted to create a role model who is a true super hero but not a super hero with mythological powers. Lilac’s “super power” is her uncanny marksmanship. Her “weakness” is her blindness over the fact she’s getting in way over her head. I also wanted to create a story which could appeal to a broad family audience without being too simplistic or cutesy. One that could deal with real issues.

7. What film have you seen the most in your life?

The original “Time Machine.”

8. You submitted to the festival via FilmFreeway, what are you feelings of the new(ish) submission platform from a filmmaker’s perspective?

FilmFreeway is fabulous. As well, their staff is responsive and open to suggestions.

9. What song have you listened to the most times in your life?

April Love by Pat Boone. Has a special significance for this old guy here.

10. What is next for you? A new film?

I’m constantly working on new projects. We’ve actually created detailed outlines for the remaining 12 episodes of Lilac. All we need is someone with full deep pockets who loves the concept as much as we do.

Seriously, though, I have several TV series and features in the works

Interview with Bartek Kmita, Kamil Krynski, Wojtek Szwed – (Directors/Screenwriters PARADIGME)

matthewtoffolo film director, interview, Matthew Toffolo WILDsound, Uncategorized , , , , ,

PARADIGME was the winner of BEST CINEMATOGRAPHY at the December 2017 Sci-Fi Film Festival in Los Angeles. 

Matthew Toffolo: What motivated you to make this film?

Bartek: The main motivation to create this movie was actually pretty simple, to graduate the school. But instead of making an easy asset for the diploma, I began to think about creating something over the average. And then the idea of the movie came out, but it was almost impossible that day to make it alone. That’s how I decided to do this in cooperation with my friends.

Kami: At the beginning the main reason for creating this film was graduation project we had to make. However during the process of creation something has changed. We stopped care as much about graduation, and start thinking about this as an adventure and best possible way of learning. What is more, number of great ,kind people who helped us is really impressive. We couldn’t let them down.

Wojtek: I’ve heard about the project when it was just an idea, Kamil and Bartek wanted to do some short for graduation diploma. I’ve thought it was an interesting concept, and a way to level up my skills and trying to work as team with other creative people. So I’ve joined them.

2. From the idea to the finished product, how long did it take for you to make this short?

B: From the first idea to the very end of the development process passed a bit over two years.

K: It took us over 2 years to make this from scratch to finished project. We spent one year on pre-production and another on post-production. It was only 3 days of shooting.

W: 2 Years. It was a lot of work for the three of us, but thanks to help of some amazing people We’ve encountered on the way We did it.

3. How would you describe your short film in two words!?

K: Save yourself

W: Save yourself

B: Worth creating

4. What was the biggest obstacle you faced in completing this film?

B: The biggest problem for us was definitely lack of the skill and experience. We had to learn and do almost everything from scratch. When we have been starting this project, we had almost no idea where to start, how to do certain effects, how to organize shooting and glue everything together. Despite the technical problems and lack of time, this was for sure the most difficult part.

K: The biggest obstacle was definitely time. It was pretty huge and time consuming project for us. Everyone of us had to quit the job just to finish a movie. We were already late 2 years with defense of thesis. It was a true race against time. W: Well, pretty much everything You can think of when creating project like this. Lack of time, lack of money and lack of skill/experience. It was pretty ambitious thing for a student graduation project, and sometimes We had really thought that We bit off more lettuce than We can chew.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

B: Amazed, to be honest. 🙂 We were arguing for hours just to clarify the true story hidden in this movie, and some of the people from the audience who were talking about “Paradigme” actually hit the point perfectly! We left a big part of the film to be interpreted by yourself. Despite the initial story and the idea for the film, there is no clear path to follow in understanding it. So everyone can have a different point of view.

We are glad that there was so many interpretations. The audience’s ideas for the main character and his story are fantastic.

K: I’ve never been in the situation like this before. I was really amazed and little bit excited that someone is discussing and more important – interpreting our work.

W: It really felt amazing. Our project caused a discussion and every person interpreted the movie differently. I think it was pretty much our goal to leave certain things as a mystery and give a each viewer a chance to come up with his own unique conclusion.

6. How did you come up with the idea for this short film?

W: It all started with a really simplified story – and after hours and hours of meetings and discussions We’ve developed a more complex one and decided to go with it. K: In the beginning we had only general idea, we wanted to create something intriguing, giving food for thought. Everyone of us put a little bit of himself into this. Then we started putting pieces together. When it comes to me, it was all about inside battle within me.

B: It is a difficult question and just like the story of this movie, there is no straight answer for this. It started as a very different and much simpler story and then it just developed over the hours of thinking and brainstorms. We were inspired by the Dante’s “Divine comedy” and the journey through the purgatory and hell, but also by movies like Alien, Matrix, etc. Mixing it all together created “Paradigme”.

7. What film have you seen the most in your life?

B: I think that each one of us would point a different one, but I guess that for all of us Matrix will be in the tight top.

K: Probably Home Alone hahah

W: I think it’s definitely the first “Alien”. Not many movies made such an impression to me.

8. You submitted to the festival via FilmFreeway, what are you feelings of the new(ish) submission platform from a filmmaker’s perspective?

B: It is a great way to find an opportunity to show your work to broad audience. I think that in the near future, this will become the main way for the artists to share their work and submit to festivals.

9. What song have you listened to the most times in your life?

B: Probably “Last Christmas” by Wham, as it is being played every single year, multiple times, in every media stream, since 1986.

K: Bon Jovi – Living on a prayer

W: Probably “Tool – Schism”, but I’m not really sure.

10. What is next for you? A new film?

B: Something to amaze. For sure. I’m not done yet.

K: I think I’m not ready for another huge personal project yet. I need to learn a lot. Currently I’m focusing on improving my skills to become a better artist.

W: Perhaps, the time will show.

Watch the Audience FEEDBACK Video:

PARADIGME, 6min, Poland, Sci-Fi/ExperimentalDirected by Kamil Krynski and Bartek Kmita

 

When you wake up in a cold and empty place. You don’t where you are and how you got here. You are paralized by fear and lonelinnes. The only way leads you to unknown direction. When you subject to curiosity and weakness. You can loose your mind…

CLICK HERE – and see full info and more pics of the film!

Interview with Filmmaker Stephen Riscica (IT GETS BETTER?)

matthewtoffolo directing a film, feedback film festival, film director, interview, matthew toffolo, Matthew Toffolo WILDsound, short film festival, toronto film festival, Uncategorized, wildsound film festival , , , , , , ,

 IT GETS BETTER? was the winner of BEST PERFORMANCES at the December 2017 LGBT FEEDBACK Film Festival.

Matthew Toffolo: What motivated you to make this film?

Stephen Riscica: I started writing this film almost years ago after learning about Jamey Rodemeyer, a young gay teenager from Buffalo, NY who made an It Gets Better video only to commit suicide only a few short months after. I then started reading other stories about youth who have made these testimonials of hope but weren’t able to battle their own inner demons. It was the juxtaposition of these messages of hope from our youth on YouTube mixed with their tragic fate that inspired me to write this piece.

2. From the idea to the finished product, how long did it take for you to make this short?

I started writing this six years ago– much of that time it was just sitting on my laptop. I went to a film festival in May of 2016 and was really inspired by what I saw there and decided it’s time to finally get this film made. I started an indiegogo campaign a month later. We had approximately two months of pre-production, two shooting days, and 3 months of post production.

3. How would you describe your short film in two words!?

Oh that’s a tough one…

I’ve always described my film as an examination in loneliness and a desperate plea to hang on… so maybe “Loneliness Examination” or maybe just “Got Wine?”

4. What was the biggest obstacle you faced in completing this film?

There was an actor attached initially who I cast because his life story and where he is now reflected what the character is going through in the film. A week before production I was “ghosted.” We held a casting session a few days before shooting and thankfully Gys DeVilliers came in and blew me away– he had me in tears during his audition. It was as if I was hearing my words for the very first time. I knew there was no way I could have gotten such a powerful and haunting performance from the previous actor attached.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I appreciated the honesty and candor of the audience. This is the first time I was able to hear what people thought about the film without being physically present. I think the film effects people in different ways, and everyone I’ve shown it to responds differently. I disagree, however, with the gentleman who said the film felt cliche’. I see what he’s saying about how it feels like a play, which most likely has to do with my theater background, but I think it is a film that stands out because of its uniqueness.

6. How did you come up with the idea for this short film?

As I mentioned earlier, the story of Jamey Rodemeyer was the main catalyst in writing this piece. His story made me re-examine my own issues of loneliness and depression. I was also very much inspired by Samuel Beckett’s Krapp’s Last Tape, a one act play in which an older man is listening to a audio tape of himself from years back reminiscing about his youth. Instead of a tape recorder we use a laptop and YouTube.

7. What film have you seen the most in your life?

The one film that really changed my worldview as a young gay teenager was Pink Flamingos directed by John Waters. As someone who didn’t identify with straight culture or gay culture, this film was really a celebration of individuality for me and taught me that it’s okay not to fit into any sort of category. I would invite friends over to watch double features of Pink Flamingos and Female Trouble and I’d love to watch my friends squirm, but we’d also be laughing our asses off and quoting lines from the film. I also used to be obsessed with Elvira: Mistress of the Dark as a child and Gregg Araki’s The Doom Generation and Nowhere. Recent films I’ve been watching repeatedly lately: Ingmar Bergman’s Cries & Whispers, Jennie Livingston’s Paris is Burning, and David Lynch’s Twin Peaks: Fire Walk With Me.

8. You submitted to the festival via FilmFreeway, what are you feelings of the new(ish) submission platform from a filmmaker’s perspective?

I think it’s a great platform. I discovered a lot of festivals I never even knew existed. I like the up to date notifications of when a judging status has changed on your film.

9. What song have you listened to the most times in your life?

Probably something by The Cure– maybe Pictures of You?

10. What is next for you? A new film?

Still trying to figure that out! I recently helped out on the pilot episode of a new documentary series interviewing pioneering DJ’s and party promoters from the early days of gay nightlife. There is a short story written by a friend of mine I would love to adapt. I’m looking to collaborate with other LGBT screenwriters on future projects!

it_gets_better_5

IT GETS BETTER?, 11min., USA, LGBT/Experimental
Directed by Stephen RiscicaAn older gay man is inspired to record a testimonial after watching a bisexual teenager’s video, assuring him that ‘It Gets Better.’

CLICK HERE – and see full info and more pics of the film!

Interview with Filmmaker Parry Majmudar (LOSING CLAIRE)

matthewtoffolo directing a film, film director, interview, matthew toffolo, Matthew Toffolo WILDsound, Uncategorized , , , , , ,

LOSING CLAIRE played to rave reviews at the Los Angeles FEEDBACK Film Festival in December 2017.

Matthew Toffolo: What motivated you to make this film?

Parry Majmudar: I’ve observed and read certain incidents regarding still born child and also have closely witnessed where there was a high possibility that a girl child couldn’t have survived… SHE was kept on LIFE SUPPORT and after a couple of days, She was removed from it and everyone present there were hoping and praying that she could survive the deadline given by the doctors. FORTUNATELY, God’s grace, SHE DID SURVIVE and SHE IS DOING QUIET WELL NOW. Few months back her family celebrated her fifth birthday. Hence, I got the motivation to make this film this year as a part of final project at the film school . I was present there with the family while all of this was occurring and it somehow got stamped into my heart as I had seen it firsthand and all I could do was to give them hope and observe their emotions and reactions towards the same. I was 22 then.

2. From the idea to the finished product, how long did it take for you to make this short?

I was doing a research on the mothers who lost their child during the birth and also after that. (We’re told at the film school from the very beginning that we’ll have to make a short film at the end of the course as our graduation project, but like most of the student I was enjoying the course and London city. We had a Christmas break after attending 45 odd days of school and before parting for the break we’re reminded by our mentors to start working on the final project. As it was Christmas time and everyone’s on a festive mood so, I couldn’t think of any idea then – throughout the break.)
It had also to do with me being completely new to this field therefore I wasn’t able focus or reflect on the ideas for the final project. I started working on the idea in the end of January 2017. We were given a deadline that everyone must be ready with their scripts by the first week of March 2017. So, for me It was like do or die… and to be honest I took up the challenge and in-fact, I was happy that I have a deadline set and a target to achieve. I did submit my script in time and also requested my course leader to shift my date of production to the very top. We began shooting on the 21st of March 2017. It was a two days shoot. The post production activities took couple of months as I took a bit of time while editing the film and completing the other activities.

3. How would you describe your short film in two words!?

A silent despair.

4. What was the biggest obstacle you faced in completing this film?

When I was streaming through various ideas and when I finally decided to make a film on the aforementioned subject, I was deeply concerned about my confidence, because for a first timer like me plus preparing to make a short on such a sensitive subject was a real test for me. Also, when there is money involved, one has to carefully take each step a time. I don’t know how, during the pre-production, inspite of all the questions hovering in my mind about making this film, there was no negativity around me and that thing took me all ahead with this film. Slowly, I gathered confidence and since then there’s no turning back. Being this my debut film, the whole journey was fantastic. On the set or during the post production activities there wasn’t such obstacle with completing the film. Only that my visa my getting over on the last day of my course and I had fly back to India where I did my post activities which was a bit tedious.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was thrilled…. Absolutely thrilled. I did not at all expect such feedback from the audience. I literally feel delighted for my cast and crew who worked hard for the film and made my dream come true. Cheers to the audiences who were kind enough to give the feedback and all the others for watching the film.

6. How did you come up with the idea for this short film?

While in London, I got to meet the family in January 2017 and I was really happy to see them with the little one and there we’re sitting on the dinner table talking about the child with all that she had been through and the emotional journey of her parents at the time of her birth. So there I got the potential idea of creating it into a short film. Than I started my research.
The reason, I thought of making it from a male’s perspective was that The impact of pregnancy loss on male partners has been largely overlooked. When a baby dies before birth the loss can be devastating for fathers yet, very often, the world that surrounds them tends to discount their loss and emotional support. Whereas grief is assumed to be a predominantly maternal domain.

It is the perception that men have only a supportive role in pregnancy loss is unjustified, as it ignores the actual life experiences of the men, and the meanings they attach to their loss, in what may be a very personal emotional tragedy for them where they have limited support available. There is consideration of the need for the wider community to acknowledge the male partner’s grief as being a valid response to the bereavement suffered.
When men do express their grief, they tend to do so in culturally prescribed ‘masculine’ ways. As they are more reluctant to express their grief openly and hide it in order not to overburden their partner. Men exert more control over their emotional expressiveness and intellectualize their grief, whereas women are more expressive in their grief.

Men have few opportunities to express their emotions cathartically because they respond in a manner they feel that culture demands. It is important to ensure, therefore, that failure to identify the particular nature of the father’s grieving process, does not generate conclusions regarding the intellectualisation of feeling on the basis of stereotypical concepts of emotional expression.

7. What film have you seen the most in your life?

Revolutionary Road (2008) and Kabhi Kabhie (Hindi Film, 1976

8. You submitted to the festival via FilmFreeway, what are you feelings of the new(ish) submission platform from a filmmaker’s perspective?

It is an indeed a great platform which helps the filmmakers in showcasing their films to various esteemed festivals around the globe. An interesting and easy submission platform where filmmakers get an array of choosing the festivals and also can apply to many of the free festivals in the world. The website is simple to understand and it caters to the need of an individual filmmaker. It is an emerging submission platform with all the the necessary changes and innovations film freeway does time to time.

9. What song have you listened to the most times in your life?

Well, to be honest it all depends on my mood. But I do like listening to soft songs like You’re beautiful by James Blunt and Perfect Duet by Ed Sheeran and Beyonce.

10. What is next for you? A new film?

Next for me is getting a job here in India or abroad as an assistant to the director. Like the 3rd or the 4th A.D as you know one has start from the grass root and climb the ladder. But its really difficult to get an entry into the industry because of cut throat competition. Also, I’m developing an idea for a short.
 

LOSING CLAIRE, 6min, India, Drama/Relationship
Directed by Parry Majmudar 

A story about psychological anguish from a male’s perspective on having a stillborn child. The main characters are Emily and Perry who are finding it difficult to cope with the devastating loss of their stillborn daughter – Claire and this is having a detrimental impact on their relationship which is becoming strained.

CLICK HERE – and see full info and more pics of the film!

losing_claire

Interview with Filmmaker Jesse Gotfrit (SUNLIGHT OVER WATER)

matthewtoffolo feedback film festival, film director, interview, matthew toffolo, Matthew Toffolo WILDsound, Uncategorized , , , , ,

SUNLIGHT OVER WATER played to rave reviews at the December 2017 LGBT FEEDBACK Film Festival.

Matthew Toffolo: What motivated you to make this film?

Jesse Gotfrit: The story came from a personal place, from formative relationships and experiences of intimacy that I had in my adolescence, which I thought would resonate with others.

2. From the idea to the finished product, how long did it take for you to make this short?

From start to finish, a period of about 5 months.

3. How would you describe your short film in two words!?

Character driven.

4. What was the biggest obstacle you faced in completing this film?

Probably learning about all the technical requirements and also working to get the best performance from my actors.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I enjoyed the mixed reviews. The criticisms were as interesting to me as the compliments.

6. How did you come up with the idea for this short film?

I knew I wanted to make a film that was socially conscious, that had some sort of social ideas that it articulated, but I wanted to draw those ideas from my own lived experiences.

7. What film have you seen the most in your life?

Probably a film in the Harry Potter or Lord of the Rings series that I binged as a kid.

8. You submitted to the festival via FilmFreeway, what are you feelings of the new(ish) submission platform from a filmmaker’s perspective?

I like it. It gives you access to a broad range of festivals that you might not be aware of otherwise.

9. What song have you listened to the most times in your life?

Honestly probably a Leonard Cohen song, maybe Suzanne because it’s the first on his first record.

10. What is next for you? A new film?

I have many film projects underway, all related to queer experiences and ideas, as well as some music and writing projects!

Watch the Audience FEEDBACK Video of the Short Film:

SUNLIGHT OVER WATER, 15min., Canada, LGBT/Drama
Directed by Jesse Gotfrit

High-schooler Merit discovers his sexuality through a tumultuous relationship with his friend Julien.

CLICK HERE – and see full info and more pics of the film!

sunlight_over_water_movie_poster

Interview with Winning Screenplay Writer Jimmy Prosser (BETTER CALL SAUL)

matthewtoffolo interview, matthew toffolo, Matthew Toffolo WILDsound, screenplays, Uncategorized, writing a screenplay , , , , ,

What is your TV Spec screenplay about?

The logline is “Suspended lawyer Jimmy McGill endures community service at a high school where he meets an accused teen, while Mike searches for the distributor of Cheese, a popular new drug.” Going deeper, this episode provides viewers a better understanding of why Jimmy McGill cares about his clients, and particularly those over their head and in situations they did not anticipate. In a flashback, we see teen Jimmy (along with young buddy Marco) devising a clever money making scam but abandoned by older brother Chuck once caught. In present day, Jimmy identifies too closely with an accused teen as he struggles to find a way to defend him. We also learn more about the Hector/Gus rivalry as they make moves to expand from meth to a new heroin derivative that became very hot in this time frame.

How does this episode fit into the context of the TV series?

“QUESO” would be Episode 26 ½ (during Season 3 between episodes 6/7) and opens on Jimmy’s first attempt to satisfy his community service requirements following his suspension by the New Mexico Bar Association.

How would you describe this script in two words?

Achilles heal

What TV show do you keep watching over and over again?

The show I’ve watched repeatedly over the years is “It’s Always Sunny in Philadelphia.” Each of the characters are perfectly drawn and I admire the writers’ willingness to really push boundaries. However, the show that I currently admire most is “Black Mirror.” I have been focusing on one-hour drama and, as I work on my own pilot and series bible, the tone and structure of “Black Mirror” is what keeps coming to mind. If I could write for one show, it’s “Black Mirror.”

How long have you been working on this screenplay?

I will be graduating in a few months from New York University’s (NYU), Tisch School of the Arts, where I study Dramatic Writing and Producing in the Maurice Kanbar Institute of Film and Television. I’ve written plays, screenplays and sitcoms, but this script, QUESO, is my first one hour drama spec, which I wrote over 12 weeks this past summer.

How many stories have you written?

I’ve always liked to tell stories – but mostly orally to my family and friends. About 4 years ago, I began dramatic writing in earnest so over that time I must have written 20-30 short stories, plays, screenplays, sitcoms and now television drama scripts.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Being a kid growing up in San Diego during the 2000s, I have to say “I Miss You” by Blink-182.

What obstacles did you face to finish this screenplay?

I believe I’ve been able to capture the characters/dialogue and tone of “Better Call Saul” pretty well so the toughest part for me is to formulate the proper four act structure in a way that really communicates the right arc for the A, B and C stories.

Apart from writing, what else are you passionate about?

Music, definitely. My favorite escapes are listening to music alone or grabbing instruments to play with my buddies as loudly as we can. When I write, a soundtrack always is in my head.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

As I mentioned before, I’ve written a lot but this is my first drama spec so I was anxious to hear objective feedback. Some of the feedback I received was right on; some I think missed aspects of the script, especially when it comes to Jimmy’s motivation to help Bobby.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

FilmFreeway has been great. My first experience with it was submitting a short screenplay, “NOTEWORTHY,” which won several festivals and is going to be shot in January. We hope to submit that completed short film to several of the best festivals next year via FilmFreeway because it is very easy to use.

Any advice or tips you’d like to pass on to other writers?

As painful as it is, I feel that you must create a full beat sheet before trying to write the script! Once that solid outline is in place, the writing comes much easier. It is tempting to write a fun standalone scene as soon as you think of it, but if you don’t have your structure in place you may find yourself spending too much time trying to wedge that scene into the overall story.

****

Genre: Crime, Drama

Suspended lawyer Jimmy McGill endures community service at a high school where he meets an accused teen, while Mike searches for the distributor of Cheese, a popular new drug.

Narrator: Val Cole
Jimmy: Noah Casey
Mike: David Schaap
Bobby/Nacho: Gabriel Darku
Talbot/Hector: Neil Bennett
Secretary: Clare Blackwood
Kim: Lauren Toffan

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox