Interview with Filmmaker Barbara van Rijn (THE CURE)

Matthew Toffolo: What motivated you to make this film?

Barbara van Rijn: As a daughter of a Pharmacist I am brought up with the belief that herbal and traditional medicine is not to be trusted. After living in Ghana for a while, I realized that people in Ghana look at this very differently. I wanted to know more, the reasoning of people using herbal medicine vs orthodox medicine and how this affects their life.

2. From the idea to the finished product, how long did it take for you to make this short?

I was planning to only film a short TV item, finishing in 2 weeks. I ended up taking 5 years to finish.


3. How would you describe your short film in two words!?

Emotional and impressive

4. What was the biggest obstacle you faced in completing this film?

It was difficult to find the right balance in making this a story about ‘the people using traditional medicine’ and all facts and figures that are known about this topic. I could have gone on an on doing more research, more filming and make it more of an investigative documentary. However it was always meant as a small story about people using traditional medicine. So sometimes it was hard to hold on to that initial goal but still find the right balance of giving information to satisfy the viewer.


5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I often agreed with them and their feelings after seeing the film. It was great to have people giving feedback on the film, it gave me a lot of positive energy!

Watch the Audience FEEDBACK Video:

6. How did you come up with the idea for this short film?

I was working at a local TV station in Ghana as an advisor where the doctor of ‘The Cure’ was advertising this drug live on air. That stirred a discussion between me and my Ghanaian boss by then, he believed the drug was a real cure, and I was very doubtful. Once I started following the doctor and his patients it became such an emotional journey that wouldn’t let me go.

7. What film have you seen the most in your life?

Documentary: Google baby

Film: Blackbook (Dutch film)

8. You submitted to the festival via FilmFreeway, what are you feelings of the submission platform from a filmmaker’s perspective?

It makes it very easy to apply and gives a good overview of the possibilities. Perfect.

9. What song have you listened to the most times in your life?

Meadowlands – The African Mama’s

No one – Alicia keys


10. What is next for you? A new film?

Hopefully yes. I have a topic in mind, also coming from West Africa. I started the research. First I have to make a firm decision to really continue documentary making and make the switch from fulltime corporate film maker to making documentaries. This festival actually gave me some confidence boost to focus more on documentaries.

Interview with Filmmaker Jeremy Abrams (FIGHTING CHILDHOOD CANCER)

Matthew Toffolo: What motivated you to make this film?

Jeremy Abram: The Vanderslice family were friends of my wife, and when I saw a social media post that included a photo of Louie looking out of the window from his hospital room at Children’s Hospital of the Kings Daughters in Norfolk, Virginia at a crowd of people who gathered for a candle light vigil with a poster that said “Hope”, it peaked my interest to start following his story, and I fell in love with the family and their love for their son.

2. From the idea to the finished product, how long did it take for you to make this short?

Their father (Joshua) reached out to me and told me the Roc Solid foundation was going to be constructing a playground in their back yard in honor of Louie and to bring joy to their family. He had seen some of my video work and asked if I would ever consider documenting this event for them. Not only did I agree and feel privileged that he even asked – I assembled a team of videographers/photographers to volunteer their time to help cover the event. We started filming at 6:30am until 3pm, and it required around 70 hours of filming, photographing, archiving and editing.

3. How would you describe your short film in two words!?

Always hope

4. What was the biggest obstacle you faced in completing this film?

Having to take breaks in editing to gather my emotions.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was bracing for impact on technical critiques, only to be relieved that everyone absorbed the overall story and that it resonated with an authentic human experience.

Watch the Audience FEEDBACK Video:

6. How did you come up with the idea for this short film?

The idea was there, the challenge was to strip it down to the bare bones to make it a potent story without unecessary clutter.

7. What film have you seen the most in your life?

Braveheart

8. You submitted to the festival via FilmFreeway, what are you feelings of the submission platform from a filmmaker’s perspective?

I have submitted previous films to various platforms – but FilmFreeway was the simplest that actually delivered valuable critique and feedback. It was well organized and proactive.

9. What song have you listened to the most times in your life?

Woman with the tatooed hands, Atmosphere

10. What is next for you? A new film?

I currently work full time in IT, and do freelance video production projects for pleasure as they arise.

Interview with Filmmaker Sophie Black (SONGBIRD)

SONGBIRD was the winner of BEST MUSIC at the May 2019 Sci-Fi/Fantasy Festival in Toronto.

Matthew Toffolo: What motivated you to make this film?

Sophie Black: Songbird’s writer, Tommy Draper, had the idea in the back of his mind for a while; then he heard Janet Devlin’s cover of The Cure’s ‘Friday I’m In Love’ on Spotify, and because Janet’s story (discovering her voice and her confidence through ‘The X Factor’) was so similar to the story Tommy wanted to tell, he started writing Songbird, and he built his script around her. We were very lucky that Janet agreed to take the lead role in the film!

Tommy told me about his idea for Songbird during a road trip (we were travelling back from a film festival in 2015). As a massive fantasy fan, I literally begged Tommy to give me and my film company, Triskelle Pictures Ltd., the rights to make the film. I think I wrote him a massive ‘pitch email’ as well! I think the story’s quite unique: it’s tonally similar to The Little Mermaid and other classic fairytales, but it’s set in the modern-day world of indie music, so that makes it really special.

2. From the idea to the finished product, how long did it take for you to make this short?

After completing the first draft of the script in Autumn 2015, we were then shortlisted for Creative England’s iShorts scheme in January 2016. Although Songbird didn’t progress any further with that scheme, it gave us confidence in the fact that the project had legs – so we brought producer Laura C. Cann on board, and vowed to make the film in any way possible. We then had two very successful crowdfunding campaigns, and shot the film in August 2016. Songbird was in post-production for just over a year (partly because of the many incredible VFX shots we needed for the film), and was finally completed in November 2017, before we started submitting it to film festivals. So, between Autumn 2015 and now, it’s been a big commitment for all of us!

3. How would you describe your short film in two words!?

Voice discovery. I would say ‘magical journey’, but that might be too generic. Songbird is about finding your voice, in more ways than one, so ‘voice discovery’ it is!

4. What was the biggest obstacle you faced in completing this film?

Funnily enough, it was the weather! We had every type of weather thrown at us during the shoot, starting with scorching heat (a lot of the crew got sunburnt in the process!), and then ending with a torrential thunderstorm on the final day of filming. We were shooting the film’s ultimate battle scene at the time; it was Scene 17 in the script, and those two words strike fear into the crew’s hearts even now, because the weather was so severe that day.

We were filming in the woods, and it rained constantly between 6am and about 5pm: our set flooded, things threatened to blow away, the cast and their costumes kept getting soaked, and we feared for the camera kit. I actually had to cut the scene in half in order to get everyone off location quicker, but you can’t tell when you watch the film – annoyingly, the rain looks kind of beautiful in the final footage!

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

We’re always a bit nervous when people watch our films, because we never know how they are going to react. We always hope that they’ll like it. But my crew and I were really grateful for the kind of words of your audience, and we’re so glad that they enjoyed watching the film. Songbird’s music has been popular throughout its festival run (it won two awards before you kindly gave the film ‘Best Music’), so we were half expecting that your audience would enjoy that element of the film, but we were really touched by their comments about the film’s editing and its general aura as well.

Watch the Audience FEEDBACK Video:

6. How did you come up with the idea for this short film?

See question one.

7. What film have you seen the most in your life?

My favourite films are actually the ones I watch the least. The ‘Lord of The Rings’ trilogy made me want to make films in the first place, but I’ve probably only watched each film twice – I like those films to stick in the back of my mind like fond memories, so that they never grow old in the face of modern technology. That way they can stay perfect forever.

There are a lot of indie films I’ve watched multiple times – films like ‘500 Days of Summer’, ‘Breakfast Club’, ‘Empire Records’ etc are always great for a bit of easy viewing. I also used to watch ‘American Beauty’ every time I directed a film, usually the day before the shoot, to inspire me – and I watch ‘Stealing Beauty’ every summer, so that I can daydream about the Italian weather (it’s currently raining here in England, even though it’s June!)

8. You submitted to the festival via FilmFreeway, what are your feelings of the submission platform from a filmmaker’s perspective?

I think it’s great. The layout is very user-friendly, and it’s great to have everything available to you in one place. The built-in press-kit function is also really useful; you know your film is going to be presented well to festivals, from the get-go. I’ve used other platforms in the past, but I can’t really fault Film Freeway (apart from the fact that there’s a few lower-quality festivals on there, but you get that everywhere).

9. What song have you listened to the most times in your life?

It depends on my mood and what I’m doing at the time. I listen to music every day, and every time I hear a new song that I love, it gets played on repeat until I know it thoroughly. I’ve just done that with Hayley Heyndrickx’s ‘Untitled God Song’ and Lucy Rose’s ‘Nebraska’, if you need two examples.

Music is incredibly important to me, particularly when I’m in pre-production on a new short film. Tommy Draper and I create a playlist on Spotify or YouTube for every new film we’re writing, and that helps to set the tone and pace for our screenplays. It’s also very informative to try and imagine what kind of music each character would listen to. I then send that music to my actors, very shortly after I cast them, so that they can get in the same headspace.

10. What is next for you? A new film?

My team and I are in pre-production on two new films right now: a ‘Poison Ivy’ / Batman fan film (because she was a childhood hero of mine), and ‘Lepidopterist’, which is a gentle sci-fi film about a female scientist who smuggles a specimen out of a lab. We’re also in development on a fantasy thriller called ‘The Barn’ (working title), about a young man who abandons his ex-girlfriend when he discovers she is pregnant with his child; he then becomes trapped inside a magical building, which forces him to physically face his fears, with a new threat hidden behind every door. The Barn is one of our biggest projects to date, and it’s one which we’re really excited to get started on – we’re just in need of some extra investment before we can make it happen. You can find out more about all of these projects on the Triskelle Pictures website.

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Interview with Filmmaker Marat Narimanov (BIG BOOOM)

BIG BOOOM played to rave reviews at the June 2019 LA Feedback Film Festival.

Matthew Toffolo: What motivated you to make this film?

Marat Narimanov: It’s the desire to witness the great events that happened billions years ago and that are still happening right now.

To be able see all those processes in a short period of time and from the distant point of a cool-headed viewer, that’s pretty much unemotional, just witnessing and stating the facts.

2. From the idea to the finished product, how long did it take for you to make this short?

I’d say pretty long. The idea first came to me about 5 or 8 years before I started to make this film.

I finished all the animation within a year, then I had to wait for about 2 years for the sound design and the music to be accomplished.

3. How would you describe your short film in two words!?

Fast and nice. Because I wanted to make my film short, fast (in terms of real time to the cinematic time ratio) and nice.

4. What was the biggest obstacle you faced in completing this film?

Working with the other people on a 0-budget basis is really time-consuming. You should be ready to wait literally for years for some things to get finally done.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

It was very interesting. Some ideas were fresh. I’ve already had a lot of feedback before from different people, but here the audience had some fresh ideas. It’s very interesting.

Watch the Audience FEEDBACK Video:

6. How did you come up with the idea for this short film?

It was after I got equainted with the old Hindu doctrine about the creation of our universe, I noticed it was pretty much like the Big Bang theory. And the Hindu concept is even much more advanced that the now-days scientific one, because it tells that the existence and non-existence (dissolve) phases of universe follow each other infinite number of times. The universe is born from the seed and returns to that seed after the cycle is finished. The grand cycles are called the Brahma’s breath. So, my journey into the world of this animation film started with that ancient Vedic theory and with the word “Breath”. Then I thought it would be nice to combine both theories – ancient and modern in one film.

7. What film have you seen the most in your life?

It’s probably Wong Kar Wai’s In the mood for love. It’s still a mystery for me HOW to make a film like that. I can watch it a hundred of times and never get bored.

8. You submitted to the festival via FilmFreeway, what are you feelings of the submission platform from a filmmaker’s perspective?

It’s the best platform ever.

9. What song have you listened to the most times in your life?

Probably, it’s Caravan played by Fanfare Ciocarlia. I’m always happy to hear it and occasionally dance while listeting to this song.

10. What is next for you? A new film?

Yes, it’s alreay done, just have to wait for the sound design and music to get finished 😉

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Interview with Filmmaker Josh Jackson (A ROOMBA’S TALE)

A ROOMBA’S TALE played to rave reviews at the June 2019 LA FEEDBACK Film Festival.

Matthew Toffolo: What motivated you to make this film?

Josh Jackson: Honestly, I hadn’t made a film in a year or so, and wanted to MAKE SOME MOVIES DUDEY!!! You ever get that itch? Like it’s pretty damn fun. Artistically fulfilling, all that jazz. So yeah, that’s pretty much why I made it.

2. From the idea to the finished product, how long did it take for you to make this short?

I had the stupid idea for a Roomba film like……a while ago. I think we shot it in December 2017 and finished it in like……..July 2018? I don’t even know, man. There was a long pause in post-production because I was lazy and working a full time job. Gotta survive before you thrive, my mother always said. Just kidding, she never said that.

3. How would you describe your short film in two words!?

Dumb idea.

4. What was the biggest obstacle you faced in completing this film?

My biggest obstacle was probably just getting over myself and making something. You know how, as artists, we can be so precocious about our work and, “oh my, it must be PURRR-fect!” Especially if you haven’t made anything in a while, you feel like your ART represents YOU and your value as a person. It doesn’t. I had to block those annoying voices of self-doubt and focused on having fun.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

They were all pretty spot on. It was really insightful! The girl who said she didn’t laugh once…man, I gotta work on that. One guy talked for a while about how it could be seen as making light of domestic abuse. I don’t even know how to respond to that.

Watch the Audience FEEDBACK Video:

6. How did you come up with the idea for this short film?

I wish I had a good answer for this. The honest truth is that I saw my roomba and thought, “what if it were alive?” The end.

7. What film have you seen the most in your life?

Gee…maybe Frozen? I freaking love Frozen.

8. You submitted to the festival via FilmFreeway, what are you feelings of the submission platform from a filmmaker’s perspective?

FilmFreeway is great because it caused WithoutABox to get its act together. Like seriously, it was so cumbersome to submit a film through that platform. FilmFreeway comes along and is like the cool new kid in your school.

9. What song have you listened to the most times in your life?

Probably worship music. I love Hillsong, Bethel, etc. It calms me down when I’m anxious.

10. What is next for you? A new film?

I run a webcomic that has almost 100k followers on Instagram called @tubbynugget. We just sold 300 plush toys through a small business that my girlfriend (Jenine Pastores) and I set up. She was also the producer and co-writer on Roomba. So yeah, I’m probably out of the film biz for now. It isn’t very profitable for a guy like mewho makes little indie short films. But webcomics….man, it’s fun. You get to tell stories (which is the reason I fell in love with filmmaking to begin with) but on a smaller, faster scale. When I get back to filmmaking, it’ll probably be a Tubby Nugget movie. So stay tuned. Enough about me though. How are you doing? Are you doing okay? You can message me on Instagram at @joshuadrewthis if you ever just like, I don’t know, wanna talk about life or something. Did I mention I’m really bad at interviews?

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Interview with Filmmaker Julio J. Irizarry (ELPIDA)

ELPIDA was the winner of BEST CINEMATOGRAPHY at the June 2019 LA Feedback Film Festival.

Matthew Toffolo: What motivated you to make this film?

Julio J. Irizarry: The motivation came from wanting to create a passion project in collaboration with my friend and co director Charlie from San Francisco. Also, being from Chicago and planning to travel to the West Coast and the Pacific Northwest to film was very motivating in knowing we would get the best production value from our locations.

2. From the idea to the finished product, how long did it take for you to make this short?

3 long years.

3. How would you describe your short film in two words!?

Universal Hope


4. What was the biggest obstacle you faced in completing this film?

The biggest obstacle I faced was matching the post production value with the production value of the amazing locations we captured that helped tell the story. Being my first short film, I felt I owed it to the story to make sure it had great visual effects and that it was colored and sound designed the best.

Another obstacle for me was wanting the film to be perfect. This was a bit of a downfall for me which severely delayed the film due to wanting the top post production experts which we did not have a budget for. I almost gave up and never released it. In the end, through a lot of adversity and learning on my own, I ended up editing, coloring and sound designing the film. We were also able to budget just enough to license the right visual effects that helped propel the story. It was a huge challenge overall, but I believe it made me a better filmmaker and gave me the confidence to direct bigger films in the future.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was excited and a bit nervous not knowing what people would think. And hoping they got something out of it whether it was an emotion or were inspired after watching.

Watch the Audience FEEDBACK Video:

6. How did you come up with the idea for this short film?

The main idea of the story was inspired by my friend Julia from Portland who is the woman explorer in the film. She is a wanderlust who travels the world so it was fitting to have her in the film. The deeper meanings of the film from what the voice over is saying, to hope, and the sci fi angle is inspired by my personal experiences and wanting to create unique stories that have not been seen before. A huge inspiration for me as a filmmaker is Christopher Nolan so I like to incorporate hidden meanings, multi layered substance, and non linear story telling into my work as well.

7. What film have you seen the most in your life?

It’s a tie between The Dark Knight and Inception. And surprisingly, I actually only really see a film once, and revisit it years later unless it’s for a film study. I like to be surprised again just like a first time viewing.

8. You submitted to the festival via FilmFreeway, what are your feelings of the submission platform from a filmmaker’s perspective?

I think it’s amazing! I feel it really is an open freeway to know about so many great festivals like yours, and having the chance for my work to even be noticed is everything I could ask for as a filmmaker.

9. What song have you listened to the most times in your life?

Time – Hans Zimmer

10. What is next for you? A new film?

Just recently finished directing a short film for an iPhone challenge. Other than that, what’s next is to continue studying and developing in my craft. I am leaning towards commercial directing at the moment. I believe bringing my experiences and passion of narrative storytelling into that field will only help me grow as a director.

This will also give me the ability to produce frequent content in between bigger film projects. I aspire to direct a feature some day, or even a longer short film before then. I am huge on creating something unique, so It may take a bit more time for me in between films. I look at Director’s like Tarantino and Nolan who only have a handful of films, and I am in that same mindset of creating quality over quantity.

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