Matthew Toffolo WILDsound

Interview with Filmmaker David Rawlings (SLASHED!)

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Matthew Toffolo: What motivated you to make this film?

David Rawlings: I’m a huge fan of 80s horror. The cheesier, the better. I grew up on Freddy Kruger and Jason Voorhees, and always wanted to take a unique stab at that genre.

2. From the idea to the finished product, how long did it take for you to make this short?

The general pre-production and production took about 6 months. Post Production was initially another 3. However, I wanted to really make sure the audio was as correct as possible. It took longer than I was expecting, so the finished product probably took one whole year to complete.

3. How would you describe your short film in two words!?

Retro Arthritis

4. What was the biggest obstacle you faced in completing this film?

The weather. We only had 2 full days to shoot everything and we got rained out for one half of those days. Considering 90% of the shoot was exterior shots, it certainly created a headache to the entire crew and cast. Not to mention that the public park – we were shooting in – closed their public bathrooms at 2 o’clock in the afternoon.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Really pleased. I was glad to see that audience members really enjoyed it and understood the direction. My favourite moments are when we flashback to the “80s” and it was great to see the audience to get a kick out of that. Thank you for all your kind words.

Watch the Audience FEEDBACK Video:

6. How did you come up with the idea for this short film?

Being a fan of films such as A Nightmare on Elm Street and Friday the 13th, I wanted to create my own serial slasher killer… but wanted to have fun with it. Taking the idea of an ax-murderer who has aged and not at the level that he used to be, gave me some great ideas for dialogue and scenes. I’m also a fan of the likes of Monty Python and wanted to inject some of that goofy humour and ridiculousness as well.

7. What film have you seen the most in your life?

It’s probably a tie between The Goonies and Jurassic Park.

8. You submitted to the festival via FilmFreeway, what are you feelings of the submission platform from a filmmaker’s perspective?

It’s really rather simple. Once the film project has been uploaded, being able to simply and efficiently submit your film to a wealth of different festivals certainly makes things less stressful.

9. What song have you listened to the most times in your life?

Bon Jovi – Livin on a Prayer

10. What is next for you? A new film?

I’m currently working in the UK as a video editor. I’ve got many ideas and scripts for other shorts, and I hope to be back into pre-production very soon.

Interview with Filmmaker Justin Zachary (NOW)

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Matthew Toffolo: What motivated you to make this film?

Justin Zachary: Necessity. These days as an actor if you’re not creating your own work then it feels like you’re behind in the game. I also love making movies.

2. From the idea to the finished product, how long did it take for you to make this short?

About 20 years ago I was doing theatre in Bakersfield, CA. A playwright by the name of Roger Mathey wrote a one act play called NOW. It was just two people in a room talking about memories of their relationship and the crazy twist in the end when you find out that she’s a robot. I loved the story but unfortunately the play was never produced. Cut to, 2011 when I was looking for a project to direct and remembered this story. I called my friend Roger and asked if he still had the script. He didn’t. So, I asked him with his permission could I re-tell the story with my own vision? He agreed and that’s when the initial screenplay began.

3. How would you describe your short film in two words!?

Daddy issues.

4. What was the biggest obstacle you faced in completing this film?

I’d have to say the VFX. It was definitely the most costly and time consuming. We went through 3 different artists until I finally landed on one I loved. Lincoln Smith. A God sent.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Nervous. It’s always nerve-wracking hearing what people think of your work. Especially something that’s so personal to you. But, after I heard the positive feedback it was a relief that people actually got it!

Watch the Audience FEEDBACK Video:

6. How did you come up with the idea for this short film?

I took my friend Roger’s original idea of two people sitting in a room talking about memories and the twist in the end then added some personal elements to give it a sense of myself. For example; The Father character is based on my ex Father-in Law. I always felt that I needed to impress him. Maybe it was my own insecurities but, I never felt that I was good enough. My character’s obsession with fixing things is another good example. I always feel that most problems (especially in relationships) can be fixed with a conversation. If you put the right words in a specific order anything can be solved. It’s an idealistic way of thinking that always gets proved wrong.

7. What film have you seen the most in your life?

Probably, Caddyshack.

8. You submitted to the festival via FilmFreeway, what are you feelings of the submission platform from a filmmaker’s perspective?

It’s great! Simple and easy to submit.

9. What song have you listened to the most times in your life?

“Every Breath You Take” by The Police


10. What is next for you? A new film?

I’m in the process of writing a few different things. An epic sci-fi post alien invasion film, and a supernatural western.

Interview with Screenwriter Scott Sawitz (FOR LOVE OR MUSIC)

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Matthew Toffolo: What is your screenplay about?

Scott Sawitz: It’s about a woman trying to find herself while she’s under professional and personal stress.

To me that’s the core of “For Love or Music.” Ashley is an interesting woman on the cusp of musical stardom; she’s always been a singer but she could never find the artist side in her to come out.

When she finally finds it … it comes with a cost. How much of the cost will she bear … and how will it affect her?

2. What genres does your screenplay fall under?

It’s a romantic comedy. More comedy than romantic, I think.

3. Why should this screenplay be made into a movie?

I’ve always thought of the romantic comedy as the greatest test of any story-teller out there. We know the beats, we know everything about what a romantic comedy could (and should) be, and we get annoyed when we can spot it.

A great romantic comedy does all these things and you don’t think about it along the way because you care about the characters, etc.

Call it personal bias but I like to this that this could be a great romantic comedy.

4. How would you describe this script in two words?

Funny and charming.

5. What movie have you seen the most times in your life?

That’s a hard one… the one that made me love movies, really love movies, is “About Last Night.” The 80s version, not the remake with Kevin Hart (which is also a fantastic film).

It’s a great romantic drama, the sort of adult drama they don’t make anymore. As an artist that’s the sort of film I want to make; I love action films but small films like “Bandwagon” are the types that really get me into film. The artistry of character development, acting, et al, are what inspire me.

It’s also the most Chicago film made, too, but I’m a little biased being from the area.

6. How long have you been working on this screenplay?

It’s about a couple years now…. it started with a concept (a musician who can’t write a song without making someone’s heart break) and I developed the story around that.

Who was Ashley Powell and what made her click? Why would someone who’s a star fall in love with a failed actor? How would the people in her life react to her particular problem?

Those drove me to develop the film around it.

7. How many stories have you written?

A lot. I’ve had a script optioned in November 2017 and keep everything that’s worth a view up on my Script Revolution account.

https://www.scriptrevolution.com/profiles/scott-sawitz

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

I like to think of this as the sort of song that if you were in a professional fight, like a boxer or a cage fighter, would be the one you came to the ring or cage in. That one best summarized everything in your heart, your soul and in your brain walking into it.

“Lunatic Fringe” by Red Rider … I first listened to it in high school because it was on the “Vision Quest” soundtrack and it’s been the one that’s in my head when I write, when I work out and when I need to find some level of personal peace.

9. What obstacles did you face to finish this screenplay?

Like any screenwriter it’s always about time … working full-time and having a life, etc, make finding writing time difficult.

10. Apart from writing, what else are you passionate about?

I’ve been a diehard combat sports fan since I was a kid and I love working out.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It’s been nothing but easy and elegant. The access to film festivals and contests throughout the world, and able to narrow it down is fantastic. It takes a lot of the grunt work that the fest circuit used to be in terms of research, et al, and turns it into something that makes it so much easier.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I’m always looking for the right place to submit, not just anyone that’ll take me … and a festival for comedy sounded amazing. I got great feedback and used it to better develop myself as a writer.
 

Watch the Screenplay Reading: 

Ashley Powell is an ordinary bar singer when she rockets to fame overnight from a viral video. The song she was playing becomes a hit and she winds up on the fast track to musical stardom. She’s carrying a big secret though: she can only write music when she’s miserable after a break up.
With an album on the way she’s forced to write it the only way she knows how: breaking hearts.
When the great love of her life falls into her life, she’s forced to choose between happiness or success.

CAST LIST:

Skylar: David Rowan
Sara: Victoria Murdoch
Narration: Esther Thibault
Matt: Sebastian Biasucci
Ashley: Mojeane Sadr

Interview with Screenwriter Anna Patterson (FAMILY CRISIS LIVE-IN)

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Matthew Toffolo: What is your screenplay about?

Anna Patterson: This screenplay is about something I have seen with my own eyes lately. People are trying to take the huge house they raised their family in, and trade down. I just took it from there and thought what if the family caused a problem with this. So that is what I wrote about.

2. What genres does your screenplay fall under?

This is definitely a comedy, but it is family fun also. I also like that it focuses on an older married couple.

3. Why should this screenplay be made into a movie?

I think this is such a timely piece. People want realism, and yet they like to laugh at things. I think it strikes a note people will like to see and hear.

4. How would you describe this script in two words?

Endearingly funny.

5. What movie have you seen the most times in your life?

Arthur

6. How long have you been working on this screenplay?

A couple of months.

7. How many stories have you written?

I currently have over sixty books published on Amazon and Smashwords. But I have never written a screenplay. (You saw that for yourselves.) I am over seventy years old, I kind of thought it is now or never.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

Your So Vain.

9. What obstacles did you face to finish this screenplay?

Everything! I could not believe how hard it was to put together. I had written books, but a screenplay. I had to overcome a lot of doubts.

10. Apart from writing, what else are you passionate about?

My husband and I paint pictures, but haven’t done this for some time. I also like newspapers. I love to read the news.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

This has just been great.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I can’t remember who suggested I try this, but I worried about it being comedy. I write romance and I write horror, but comedy? Nonetheless, I decided to try.

 
Watch the Screenplay Reading: 

Grandma gets thrown out of the nursing home, reclaims her home from son and family and seeks to regain control of her extended family although she hates them.

CAST LIST:

Granny – Norma Dunphy
Real Estate Lady – Laura Afelskie
NARRATION – Sean Ballantyne
Mike – Trevor Howes
Ginny – Andrea Irwin
Policeman – Adrian Carter

Interview with Screenwriter Thom Holland (The Last Breath Of Winter)

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Matthew Toffolo: What is your screenplay about?

Thom Holland: A huntsman battles a brutal winter and the spirits that in habit the forest around his family’s home.

2. What genres does your screenplay fall under?

Fantasy, and horror to some extent

3. Why should this screenplay be made into a movie?

It’s a tight, short tale that offers a rich visual narrative wrapped up in the mythos of traditional fables and fantasy. We don’t see those nearly enough anymore!

4. How would you describe this script in two words?

Rather tragic.

5. What movie have you seen the most times in your life?

Alien.

6. How long have you been working on this screenplay?

The first draft was written in a single weekend when the idea came to me, almost fully formed. It’s since had several redrafts over about four years until I landed on wanting to do it as an animated short and from then on it’s been pretty much locked.

7. How many stories have you written?

Dozens!

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

I’m completely all over the place, musically. I’m currently listening to a lot of ELO and Thom Yorke but tomorrow it might be Earth, Wind & Fire with David Bowie or Talking Heads and some vaporwave/electronica mixed in.

9. What obstacles did you face to finish this screenplay?

Remembering that I designed it to be entirely without dialogue so needed to keep my focus on action!

10. Apart from writing, what else are you passionate about?

Filmmaking, animation, illustration, design, psychology and sci-fi.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It’s been great! Very easy to use. Wish it had been as prevalent 10 years ago, it would have helped motivate me to get more work out there!

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I did a number of searches on fantasy/horror/sci-fi festivals and this one came up well recommended – the opportunity to have a recorded table read made it very appealing above festivals that simply offered laurels and small cash prizes too!

Watch the Screenplay Readings: 

A huntsman battles a brutal winter and the spirits that inhabit the forest around his family’s home.

CAST LIST:

Narrator: Val Cole

Interview with Screenwriter Bethany Maines (BLUE CHRISTMAS)

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Matthew Toffolo: What is your screenplay about?

Bethany Maines: Blue Jones just stole Jake Garner’s dog. And his heart. But technically the French Bulldog belongs to Jake’s ex. And now they’re both being chased across Seattle by Jake’s ex-girlfriend for a dog collar’s worth of smuggled diamonds. For Blue, Christmas has never been quite so dangerous. For Jake, Christmas has never been quite so Blue.

2. What genres does your screenplay fall under?

Romance, Comedy, Action

3. Why should this screenplay be made into a movie?

Blue Christmas should be made into a movie because we need more stories about couples finding love, the bad guys getting arrested, and Uber drivers who finally have their dream of being in a car chase come true.

4. How would you describe this script in two words?

Romantic Fun

5. What movie have you seen the most times in your life?

Die Hard and Clue, probably followed by The Princess Bride.

6. How long have you been working on this screenplay?

One year or three months, depending on if you count the time I spent working on the novella that the screenplay is based on.

7. How many stories have you written?

Uh… In my lifetime? Published? How are we counting this? Can we call it a lot? I’ve been writing since grade school. My first short story was published when I was nineteen and my first novel was published in 2010. Writing stories is one of my passions. However, this is my first screenplay. I’m excited to write more.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

That is an extremely difficult question. I use music to set the mood for what I’m writing and I’ll listen to a pretty wide variety of stuff, so picking an absolute number one is practically impossible! Top five, in no particular order:
Have a Good Time by Paul Simon
Got Your Money by Ol’ Dirty Bastard
It’s a Fire by Portishead
Rock DJ by Robbie Williams
The De Guello, the theme from the John Wayne / Howard Hawks movie Rio Bravo

9. What obstacles did you face to finish this screenplay?

Well, I first had to learn how to write screenplays and that was a bit of an obstacle. Also, being a parent presents many challenges in regards to scheduling time to be creative.

10. Apart from writing, what else are you passionate about?

I’m a graphic designer and I’m passionate about good design. I love when I can synchronize a clients story with visuals.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

FilmFreeway has been extremely useful and easy. I like that I can sort my submissions, track contests and surf for new opportunities all in one location.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I entered because I really wanted to get feedback and it felt like a festival that matched my screenplay. The feedback was incredibly helpful and adorably Canadian since they used the word “whilst”. I got feedback, not just about industry standards for some of my first-timer formatting mistakes, but also about content and how to strengthen my script. I used the feedback to make changes that I’m very happy about (and secretly wish I could go back and add them to the novella).

Watch the Screenplay Reading: 

Drunken TV news cameraman Jake Garner thought he was tackling an intruder. But no, Jake just took out the fantastically attractive dog sitter. Mortified, Jake does what any man would who has just been dumped right before Christmas would do—give the offended party all his ex’s things. Meanwhile, Blue Jones is determined to do whatever it takes to get her grandmother the best cancer treatment possible, even if that means some high-rise burglary from one of her worst dog-sitting clients, the failure to walk, feed or book a pet-sitter for a three day weekend, Grace Lorra. But Blue didn’t count on Grace’s ex, Jake, showing up and drunkenly handing over all of Grace’s belongings— including her adorable French Bulldog, Jacques. It takes no time at all for Blue to fall in love with Jacques, but Blue also finds herself wondering if it would be so bad to return to the scene of the crime to reconnect with Jake. But as Christmas draws closer, Grace pressures Jake to return the dog and Blue is targeted by mysterious assailants. Can Jake find Blue and Jacques before her stalkers do? And can Jake and Blue stop these mystery men without also getting Blue arrested for theft? For Blue, Christmas has never been quite so dangerous. For Jake, Christmas has never been quite so Blue.

CAST LIST:

Grace: Victoria Murdoch
Jake: David Rowan
Narration: Esther Thibault
Blue: Mojeane Sadr
Cindy: Julie Sheppard

Interview with Filmmakers Lucy Joan Barnes & Ali Causon (FOR WANT OF A NAIL)

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FOR WANT OF A NAIL played to rave reviews at the April 2019 Female Film Festival in Los Angeles.

Matthew Toffolo: What motivated you to make this film?

Lucy (director): The script and it’s message, it was not trying to “sugarcoat” what having OCD is really like.. it was showing how intense it can be for the person who suffers from it.

Ali (producer): Although I was not looking for a script that specifically focused on mental health, after reading FWOAN just a couple of times, it felt like a natural follow up to my previous short about PTSD.

2. From the idea to the finished product, how long did it take for you to make this short?

Lucy: I believe it was about a year…

Ali: Writer Nick and I had been working together for a few months before mainly to find a director we wanted to work with. Lucy, Nick and I then ran a development workshop with volunteers from OCD Action and Actors to learn more about the condition.

3. How would you describe your short film in two words!?

Lucy: Frank and Eye Opening

Ali: Honest

4. What was the biggest obstacle you faced in completing this film?

Lucy:Finding Marty and a shower to film in 🙂

Ali:Definitely finding a shower! Our Actor Clark is quite tall

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Lucy: I may not have agreed with all the feedback, but I can see where people came from, I learnt a lot , I will take on what has been said and it use it to evolve as a director

Ali: Excited! We had some really interesting feedback and although not everyone enjoyed the film, it certainly had them talking! For me that is the best result, the only way to raise awareness for mental health conditions, like OCD, is to talk about it. ‘For Want Of A Nail’ has been lucky enough to have full support and endorsement from OCD Action, the charity were very much involved in production from development to final film. It has always been important to me to show an honest portrayal of OCD.

6. How did you come up with the idea for this short film?

Lucy: Nick had already written the script but the idea of adding animation was the first thing that came to mind when I read it..

Ali: Nick, our writer, suffers with OCD. He was inspired to write the script as a cathartic experience to try and get to grips with his Obsessive Compulsive Disorder

7. What film have you seen the most in your life?

Lucy: Old Boy

Ali: Star Wars!

8. You submitted to the festival via FilmFreeway, what are you feelings of the submission platform from a filmmaker’s perspective?

Lucy: I think it’s great

Ali: Very user friendly system.

9. What song have you listened to the most times in your life?

Lucy: Oh that’s a hard one.. probably Bohemian Rhapsody

Ali: Same as Lu!

10. What is next for you? A new film?

Lucy: I’m adapting a Shakespeare for a modern audience looking at the mental health of the character and hopefully get people to connect with Shakespeare more

Ali: I’m in the process of pitching the ‘For Want Of A Nail’ TV series and have just completed post for a feature film called ‘The Hidden Track’ which is due for release later this year.

for_want_of_a_nail_1

Interview with Screenwriter Patrick Langille (BEYOND THEIR YEARS)

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Matthew Toffolo: What is your screenplay about?

Patrick Langille: A young wannabe writer with no motivation in his life discovers he is being targeted by people believing him to be a reincarnation of a famous author that rubbed some the wrong way. He has to answer for a crime he doesn’t believe he committed in a life he believes he never lived.

2. What genres does your screenplay fall under?

Comedy, drama with some fantasy elements.

3. Why should this screenplay be made into a movie?

I don’t think there are many revenge movies that involve reincarnation at least to this extent and it could be a lot of fun to have a movie as absurd as it is for people to see.

4. How would you describe this script in two words?

Artistic Obsession

5. What movie have you seen the most times in your life?

Hot Fuzz was probably the most I watched in high school. It also helped me learn more about story and writing.

6. How long have you been working on this screenplay?

About a year.

7. How many stories have you written?

In scripts including shorts and full length, 20 or so.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

That’s a tough one. Not exactly a favorite but when one of my sisters was obsessed with the movie Night at the Roxbury she would make me recreate the head bopping in the car to the song What is Love by Haddaway.

9. What obstacles did you face to finish this screenplay?

The flashback scenes. I needed to show the relationships these characters had and how they grew to be enemies. Their friendship had to be believable and that was tricky to do.

10. Apart from writing, what else are you passionate about?

Very much filmmaking and photography.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

For the most part it has been the easiest way submitting to festivals. I don’t recall any issues with payment and delivery.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

When a story only fits in one particular genre or multiple genres it can be difficult for some festivals to judge so I’m glad festivals like this exist to give scripts that might get passed on by other festivals a chance. The feedback was very helpful and showed that I had improved from previous scripts I have tried writing.

Watch the Screenplay Reading: 

Joshua, a high school senior is in danger of not graduating, must complete an assignment on a historical figure. While doing so he meets a mysterious girl claiming to be his wife from a past life; the wife of the historical figure he’s researching. To make things stranger his little school project seems to have attracted other oddballs believing him to be a reincarnation and wanting revenge for his past misdeeds.

CAST LIST:

Roger: Neil Bennett
Narration: Melie B Rondeau
Joshua: Colin Sandquist
Mr. Sinclair: Shawn Devlin

A FilmFreeway preferred festival:

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Interview with Winning Screenwriter Katy Erin (STUCK)

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1. What is your screenplay about?

STUCK is a sci-fi western short about a mysterious woman who crash-lands on a moon whose sole inhabitant is her only chance of survival.  Each of these women end up needing something from the other, but being strangers, neither is sure the other can be trusted.

2. What genres does your screenplay fall under?

Sci-fi, western, dark comedy, LGBTQ+

3. Why should this screenplay be made into a movie?

As with all sci-fi, the action and the visual scope of the foreign world will only ever be done justice if brought to the screen.  But beyond that, I believe my strength in this script is the dialogue between the two characters, and the tension of their relationship.  This piece is really about two strangers looking into each other’s eyes and admitting vulnerability in a way all humans struggle with.  And so the joy of bringing this script to the screen would be to see these two characters come to life, and to feel their tension, their need, and their choices really become visceral for the audience.

4. How would you describe this script in two words?   

Epic. Gay.

5. What movie have you seen the most times in your life?

I think the movie I’ve seen the most is also my all-time favorite movie, which is In Bruges.  Martin McDonagh’s mastery of dark comedy is, in my opinion, unmatched, and I often find myself re-watching the movie as I show it to new friends and loved ones.

6. How long have you been working on this screenplay? 

I wrote the first draft 3 years ago after my semi-annual re-watch of Firefly.  I thought to myself, as an actor, I’d love to play a character like Nathan Fillion’s Mal, but as a woman, those roles are slim to none.  So I created one for myself.  It took a few years and rewrites to develop a story that did the characters justice.

7. How many stories have you written?

This is probably one of a dozen short films I’ve written, including my award-winning short Out of It, which also has queer themes.  A few years ago, I made my playwrighting debut at the Hollywood Fringe Festival with The Cure To Mortality, which was a queer, sci-fi, comedy musical.  I have a handful of spec features and pilots as well, all with a bend towards queer themes, sci fi worlds, and comedy (or dark comedy) tones.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

What an insane question!  Of course I can’t say I have a favorite song!  I suppose I will answer this by naming one song that had a very important impact on my life, which is “Nothing and Nowhere,” by Emily Haines and the Soft Skeletons.  And I’ll leave it at that. 🙂

9. What obstacles did you face to finish this screenplay?

The first draft of this script got horrible feedback from almost everyone who read it, from friends to festivals.  The biggest obstacle I had to overcome was my ego, brushing off everyone’s criticism with a tearful “ugh, they just don’t get my vision!!”

10. Apart from writing, what else are you passionate about?

I’m an actor and a musician as well, so I’d say I have a passion for creation and storytelling in general, and I’m kept pretty busy trying to satisfy that passion in whatever way I can.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

FilmFreeway is so easy, clean, and user-friendly, in my experience.  It’s very organized and makes it easy to find the best festivals for your projects, keep track of your submissions, and promote your work.  I have nothing but positive things to say about FilmFreeway and suspect it’ll be the standard for festival submission for a long time.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I was looking screenwriting festivals and competitions that focused on genre and sci fi work, so this festival fit the bill perfectly – and I was really drawn to the perk of having a staged reading be the reward.  The feedback I recieved was actually very helpful and really thought-out, and I genuinely thought the suggestions I was given made the story stronger.

Watch the Screenplay Reading: 

CAST LIST:

NARRATION – Brian Carleton
Angelica (20s black) – 100 – Bree Ali
Grant (f 30s) – 92 – Stephanie Herrera

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