SILENTLY WITHIN YOUR SHADOW played to rave reviews at the WILDsound Best of Horror/Thriller Festival in February 2016.
Read interview with the director Scott Lyus:
Tag: interview
Interview with Filmmaker Luke Guidici (TIME TO EAT)
TIME TO EAT played to rave reviews at the WILDsound Best of Horror/Thriller Festival in February 2016.
Interview with the director Luke Guidici:
Interview with Writer/Director Jon Silverberg (DISAPPEARED)
I was very pleased to hear people really understand the twists and turns of film, the conflict of the lead character, and the desire to see what was on ‘the other side’. As a filmmaker, you make lots of little decisions based on your instinct, and it was wonderful to hear people really connecting with the material.
Interview with Director/Production Designer David Hackl (SAW Franchise)
I’m very proud of the Saw franchise and feel grateful to have had the opportunity to work on it. It a piece of cinema history now. I also have a real fondness for Outlander as it was one of the most epic projects that I’ve done. I had to research it like crazy and learn everything about viking architecture, culture, weaponry etc. We had to build everything, weaponry and huge sets that included a viking village with 22 buildings and an 80 foot Viking ship that was fully practical. The craftsmanship from the whole crew was outstanding in every department. I’ve always loved viking stories and would love to direct a viking feature now.
Interview with Costume Designer Linda Muir (The Witch, Bitten)
What a terrific honour it was sit down with the talented costume designer Linda Muir, who is based in Toronto, Canada. She has worked in the industry for the last 30 years, on many successful films and TV shows, which she talks about in the interview. A must read for anyone working or wanting to work in the industry today:
Interview with Oscar Nominated Production Designer Anne Seibel (Midnight in Paris, Bonjour Anne)
Anne Seibel earned an Oscar Nomination for “Midnight in Paris”. Based in Paris, she has worked with some of the top directors in the world today, including Steven Spielberg, David Frankel, M. Night Shyamalan, Sofia Coppola, Clint Eastwood, and 3 Production Designer assignments with Woody Allen.
Go to her website: http://www.anneseibel.com/
Interview with Stunt Performer/Actress Kayla Adams (Deadpool, Oblivion)
It was fun to chat with Kayla Adams, a definite artist on the rise. She gives us the insight on being a female stunt performer on Hollywood productions and moving to working as an actress (who can also do her own stunts!)
Go to http://www.kaylaadams.co and follow her on twitter @sugarKAYne
Interview with Cinematographer Chad Griepentrog (The Bachelor Reality TV Series)
Most include something related to the cool locations we get to visit- like animals attacking our gear in Africa, or scaring the crap out of each other in a dungeon in Prague. Or the time I was bucked off a horse and broke my hand because we thought it would be a good idea to shoot on horseback, or jumping off waterfalls with the cast in Hawaii, or getting stuck on a glacier in Iceland, or the scouts where we get to do all the things the cast does, but a week earlier. My favorite though is when I flew over my tiny hometown in Colorado in the Playboy private jet with only a producer, Hugh Hefner and his Playmate girlfriends. I wish my high school guidance counselor could see me then! One time I ordered pizza and hot wings for my crew. We were so hungry and excited to eat, but had to wait until after the interview we were shooting. During that time, one of the female Bachelor cast members ate our entire pizza and wings! Then she purged! Thanks a lot lady!
Interview with Costume Designer Ginger Martini
It’s not as easy as it looks on tv. The hours are beyond gruelling and at first the money is non existent. But keep at it. Be nice to everyone, cuz you never know where your next job is coming from and who that Production Assisant will be later (maybe your next Production Manager) and only work for free for a little bit. Then bill what you’re worth and if you are good at it, the money will come. Make sure you like your scripts and it’s easier to live with them 24/7 for months on end. Take advice from people who are successful in the department you want to be in, and learn to take criticisms well and not personally.
Interview with Cinematographer Albert Arthur (Better Call Saul, Breaking Bad)
I started prep three weeks before the first day of shooting. I asked Vince Gilligan and Peter Gould if the wanted to continue the style of Breaking Bad, and their answer was that they did not want a complete break, but they wanted it to be different as well. They stressed repeatedly that they felt TV shows were all starting to look the same, and that they wanted “Saul” to look like nothing else on television. They showed me stills from “The Conformist” and from Kubrick’s work. Our first day of shooting was in bright sunlight in a skate park. I kept looking for Jean-Louis Trintignant in a period tuxedo, but he was nowhere to be found.
One point of departure was that they didn’t want the handheld look that gave ”Breaking Bad” its’ nervous energy. In fact they did not want any camera movement that was unmotivated. This was quite a departure from my last few shows, where the producers would start twitching if the camera wasn’t moving at all times. It required retraining my operators to avoid movement unless absolutely necessary.
Vince kept pushing the look darker and darker, saying “we know who they are, we don’t need to see them all the time”, which is a departure from what is essentially a comedy.
Matthew Toffolo's Summary 