Interview with Special Effects Supervisor Daniel Acon (Zoolander 2, Gangs of New York, Passion of the Christ)

I think that practical special effects will always be required for many situations in movies but there is a fast growing technology which allows many practical fx to be recreated in post production by the visual effects team. From explosions to squibs, there are many

visuals that now can replace to a good degree our practical fx. There will always be challenges but also innovations with new technologies, practical special effects are developing with them and are always sharing more with visual effects.

Interview with Filmmaker Hojin Kim (BURGLAR)

This Irish oil painter had boyfriend named George Dyer. Bacon first met Dyer in 1964 when he broke into his apartment. The portrait of George Dyer was the first motivation to make the Burglar.

Interview with Filmmaker William Mussini (F**KING WORLD)

The short film F**KING WORLD is a must see 1 minute blast. It hits on a lot of emotions that many of us are feelings, plus it’s really funny. William Mussini’s film played to rave reviews at the WILDsound FEEDBACK January 2016 Film Festival.

Interview with filmmaker Jordan Inconstant (YO SOY PEDRO)

I was very surprised! There is no other festival that offers this, it’s great! To see the public reaction and to take part in the festival. There was a little debate about the fact that the film was shot in French while the atmosphere is American, it was interesting. This has pleased all the film crew, Sylvain Ott, composer joins me in thanking you for the price of the best music.

Interview with Animator Matt Burniston (The Mega Plush – Winner Best Film January 2016 Film Festival)

I loved it. It was a totally new experience for me. I’ve obviously shown the film to a lot of friends and people I meet, and it is great to see their reaction as they watch the film. But having people who know about film talk about and comment on your work is something very different. The fact that the audience picked up on some of the small details about the characters & story line gives me a renewed devotion to finish up the series.

Interview with Filmmaker Francesco Faralli (LIKE IN THE MOVIES)

I was interested and a little in apprehension. I think it’s very important to laugh about Tiziano’s errors because if you feel guilty to laugh about it it’s because you feel a kind of distance from him and your thought is something like “poor thing, I feel sorry for him and his condition, so I shouldn’t laugh about it”; instead, Daniele taught me that equality goes from here too, you can laugh as long as you can see and appreciate the efforts.

Interview with filmmaker Hani Eskander (OH MY OH AGAMI)

Here are actual people, physically there, physically commenting and reacting to something I had created earlier at home, almost alone. I loved what most had to say and I cannot descrivbe how happy it makes any filmmaker I’m sure, to watch audience feeling and reacting to the film he/she helped create. It’s a very reassuring feeling… that film is powerful… it DOES transcend space and time and gets a message and an emotion through very well.

Interview with Screenwriter Bruna Rubio (VAMPIRAS)

I love the first girl totally got my original idea of Vampiras been a TV series 🙂 The porn part was also funny. ..you have to understand that Spanish TV it’s always a little cheese lol .Also that was my intention … to have the old school vampire formula… of dark comedy mixed with surprises and a little bit of sexy.

Interview with Oscar Nominated Production Designer Michael Corenblith (Apollo 13, The Blind Side)

What an honor it was to talk with the amazing Production Designer Michael Corenblith. His resume is filled with some of the best movies in the last 20 years, including: Saving Mr. Banks, The Campaign, Game Change, Dinner for Schmucks, The Blind Side, Frost/Nixon, Apollo 13.

Interview with Stunt Performer James Cox (Star Wars VII, The Dark Knight Rise)

I was planning to go to university and it was while on a year out to work and earn some money that I decided to follow a childhood ambition and trying to become a stunt performer. The JISC stunt register is the world most well established body of professional stunt performers and the training is definitely extensive, ranging from Marital arts, scuba diving, gymnastics, rock climbing, horse riding, rally driving to trampolining. Needless to say I didn’t end up going to university and after training for 4 years in six different discipline I qualified and joined the elite ranks of the British Stunt Register.