Interview with director Lior Sperando (PEOPLE OF NOWHERE)

PEOPLE OF NOWHERE,  directed by Lior Sperando, was the winner of Best FILM at the July 2016 Under 5min. FEEDBACK Film Festival. It was one of the most popular films that has ever played at the festival. Matthew Toffolo: What motivated you to make this film? Lior Sperando: I have heard and read different opinions about… Continue reading Interview with director Lior Sperando (PEOPLE OF NOWHERE)

Interview with Editor Greg D’Auria (Star Trek Beyond, Fast & Furious 6)

Greg D’Auria is very modest as you’ll see when you read this interview. He’s a wealth of knowledge and an amazing storyteller – as he seems to be the last to know this! He has worked in the editorial department on over 30 productions in the last 20 years. His list of credits include: Star… Continue reading Interview with Editor Greg D’Auria (Star Trek Beyond, Fast & Furious 6)

Interview with director Eric Romero (Native Immigration)

NATIVE IMMIGRATION, directed by Eric Romero played to rave reviews at the July 2016 Comedy Film Festival. It was an honor to sit down with him and chat about his career and short film. Matthew Toffolo: What motivated you to make this film? Eric Romero: I’m an immigrant living in UK myself and it’s an universal… Continue reading Interview with director Eric Romero (Native Immigration)

Interview with Editor Tia Nolan (How to be Single, Friends with Benefits)

Chatting with Tia Nolan about the craft of editing was a pure joy. Her recent credits include: How to be Single (2016), Angie Tribeca season 2 (2016), Annie (2014), Friends with Benefits (2011), The Woman (2008), and Bewitched (2005). She is a wealth of knowledge in the art of making a great comedy – as you’ll learn… Continue reading Interview with Editor Tia Nolan (How to be Single, Friends with Benefits)

Interview with Cinematographer Michael Simmonds (Nerve, Vice Principals)

Although there is a romance and nostalgia for film negative, digital imaging has really improved lighting for movies. We are much more comfortable with underexposing now than in the past. Of course Savidis, Khondji and Willis did great underexposing and making bold lighting choices, but now you see modestly budgeted TV shows that look bold and interesting.

Interview with Filmmaker James Ersted (MONTH TO MONTH)

Month to Month was the opening film at the June 2016 FEEDBACK Film Festival. The audience really responded to this short film. It’s a little bit musical, with a splash of dramatic character study, and a twist of fantasy. It was an honor to chat with the director James Ersted: Matthew Toffolo: What motivated you… Continue reading Interview with Filmmaker James Ersted (MONTH TO MONTH)

Interview with Israeli Filmmaker Shachar Gal (BLACK BALLOON)

BLACK BALLOON was the winner of Best Cinematography at the June 2016 WILDsound FEEDBACK Film Festival.  It was an honor speaking with the director Shachar Gal about the film. Matthew Toffolo: What motivated you to make this film? Shachar Gal: There are few things that attracted us about making the film. Actually the first thoughts we… Continue reading Interview with Israeli Filmmaker Shachar Gal (BLACK BALLOON)

Interview with Director/Writer Tyler Lionel Parr (IRONIED)

I felt relieved. To know that the message, or at least what I wanted to project, was actually landing on a conscious level, And that it scored an emotional response. I couldn’t be a happier filmmaker.

Interview with Screenwriter Ryan Katzer (JACK IS PRETTY)

Ryan Katzer’s written short film “JACK IS PRETTY” was the winner of Best Film at the July 2016 FEEDBACK Film Festival.  Matthew Toffolo: What motivated you to make this film? Ryan Katzer: None of us had made a film. Jarek had the equipment. I had the script. Why not? We had to start somewhere with Indy film, and… Continue reading Interview with Screenwriter Ryan Katzer (JACK IS PRETTY)

Interview with Director Jarek Zabczynski (JACK IS PRETTY)

I really loved how vocal and astute the audience was. People were picking up on little details and pointing them out and I couldn’t help but smile as I sat in the back of the theater. I kinda liked that no one knew that I was there until after the feedback session, really assured me the comments were real and genuine, not at all influenced by my presence at the festival.