Interview with Kami Asgar, Oscar Nominated Sound Editor

Everything used to be a lot more time consuming and cumbersome.
As an example you had to go down to the sound library and search through reels of sound fx (later CDs) armed with a notebook looking for one sound effect. You usually picked the first one you found, took it back to your room, and sampled it in to the computer and synchronized it to the picture and went to the next effect and the repeated the cycle. since you could only do very short sequences because of lack of computer memory, you laid back to tape and hand wrote (legibly) each event on a cue sheet for the mixer.

Now you audition sounds from your database of hundreds of thousands of sound effects available to you remotely and pick just the right sound, and if you want to alter the sound, you have at your disposal a dizzying amount of plug-ins to change every aspect of your sound to fit the picture. You then upload it for the mixer to open in his session. (no more carrying reels and reels to the stage)

Interview with director James Hartley (TWISTED)

James Hartley’s short film TWISTED won Best Cinematography at the FEEDBACK Film Festival in November 2015. Watch the Short Film TWISTED: Get to know director James Hartley: Matthew Toffolo: What motivated you to make this film? James Hartley: I was motivated by the truth of the character in particular. The character resonated with me as someone… Continue reading Interview with director James Hartley (TWISTED)

Interview with the Director of 1500 NIÑOS, Oliver A Dubois

I was delighted! Short movies may be shown at several festivals, but it’s not every day that the creators of those shorts get real-time feedback from a live audience. It made me really happy. Thanks for that!

Tips to write the best LOGLINES and SYNOPSIS for your story/screenplay

Here is a template LOGLINE you can use – just fill in the blanks:

(TITLE) is a (GENRE) about a (DESCRIPTION OF HERO), who after (INCITING EVENT), wants to (OUTER GOAL) by (PLAN OF ACTION). This becomes increasingly difficult because (OBSTACLES AND COMPLICATIONS)

Tips to hiring the best crew members for your film

HIRING A CREW FILMMAKING NOTES Job Hiring Your Production Crew – When hiring your CREW, first and foremost what you’re looking for is other leaders. People who will take their position and own it – make themselves the LEADER of that job. This is a collaborative medium. Everyone can pour themselves into the film, no… Continue reading Tips to hiring the best crew members for your film

How to make a Documentary Film

MAKING A DOCUMENTARY FILMMAKING NOTES DOCUMENTARY FILM – TIPS for Documentary Film Production THE FOUR BASIC DIVISIONS OF STYLE 1) EXPOSITORY DOC’S Commenting on the Acting of the scene rather than being a part of it -A lot of times Propaganda films (TV NEWS) -Express point of view clearly and leave little room for misinterpretation… Continue reading How to make a Documentary Film

Tips on Negotiating when setting up a project

NEGOTIATING FILMMAKING NOTES How to Negotiate – Every aspect of producing involves negotiating, in one form or another. You always need to go in with the attitude that people already want to work with you. 12 MAJOR POINTS TO REMEMBER IN NEGOTIATIONS 1. PLAN WITH YOUR LIMITATIONS IN MIND Know you limitations. In poker they… Continue reading Tips on Negotiating when setting up a project

Directing Actors. And Actors working with Directors. TIPS

DIRECTING ACTORS FILMMAKING NOTES Film Directing and being a Film Director What Is A Film Director? How do you run an independent film casting call? How do you get the best out of the actors you’ve chosen to bring your film to life? Whether you’re running your first independent film casting call or into your… Continue reading Directing Actors. And Actors working with Directors. TIPS

Notes on CINEMATOGRAPHY – SHOTS AND CAMERA ANGLES

LENSES FILTERS FILMMAKING NOTES Cinematography is the art of manipulating light and shadow, and capturing it as a moving image. CINEMATOGRAPHY – SHOTS AND CAMERA ANGLES QUESTIONS TO ASK: -What is the best viewpoint for filming this position of the event? -How much area should be included in this shot? SCENE defines the place or… Continue reading Notes on CINEMATOGRAPHY – SHOTS AND CAMERA ANGLES

How to Write a Screenplay. Tips for everyone

HOW TO WRITE A SCREENPLAY FILMMAKING NOTES SCREENPLAY WRITING When writing a SCREENPLAY, it’s all about CHARACTER, PLOT, and THEME – the three cornerstones to telling a great story. Below is Part One of NOTES you need to think about when writing a script. Whether you’re a seasoned script writer or just a beginner, these… Continue reading How to Write a Screenplay. Tips for everyone