Chatting with Tia Nolan about the craft of editing was a pure joy. Her recent credits include: How to be Single (2016), Angie Tribeca season 2 (2016), Annie (2014), Friends with Benefits (2011), The Woman (2008), and Bewitched (2005). She is a wealth of knowledge in the art of making a great comedy – as you’ll learn… Continue reading Interview with Editor Tia Nolan (How to be Single, Friends with Benefits)
Category: matthew toffolo
Interview with Cinematographer Michael Simmonds (Nerve, Vice Principals)
Although there is a romance and nostalgia for film negative, digital imaging has really improved lighting for movies. We are much more comfortable with underexposing now than in the past. Of course Savidis, Khondji and Willis did great underexposing and making bold lighting choices, but now you see modestly budgeted TV shows that look bold and interesting.
Interview with Israeli Filmmaker Shachar Gal (BLACK BALLOON)
BLACK BALLOON was the winner of Best Cinematography at the June 2016 WILDsound FEEDBACK Film Festival. It was an honor speaking with the director Shachar Gal about the film. Matthew Toffolo: What motivated you to make this film? Shachar Gal: There are few things that attracted us about making the film. Actually the first thoughts we… Continue reading Interview with Israeli Filmmaker Shachar Gal (BLACK BALLOON)
Interview with Director/Writer Tyler Lionel Parr (IRONIED)
I felt relieved. To know that the message, or at least what I wanted to project, was actually landing on a conscious level, And that it scored an emotional response. I couldn’t be a happier filmmaker.
Interview with Writer/Director Rebecca Miller (Maggie’s Plan)
Rebecca Miller is known for The Private Lives of Pippa Lee (2009), Personal Velocity (2002) and The Ballad of Jack and Rose (2005). She has been married to Daniel Day-Lewis since November 13, 1996. They have two children. She is the daughter of playwright Arthur Miller and photographer Inge Morath.
Interview with Stuntwoman Luci Romberg (Ghostbusters, Divergent, Spy)
What fun it was to sit down with stunt performer Luci Romberg, who has recently been working as Melissa McCarthy’s stunt double (Ghostbusters, The Boss, Spy, Identity Thief). She has also performed stunts on over 60 films in the last 10+ years, including Transformers, The Conjuring, Divergent, Zombieland, and Earth to Echo.
Interview with Filmmaker Frédéric Poirier (NODE)
It’s always nice to see an audience take the time to talk about the film, in any way. There’s no better way to tell what works and what doesn’t. Here some people were confused about some aspects of the script, but others took it upon themselves to explain it to them. Having random people understand and stand up for the most intricate parts of the script is very gratifying.
Interview with Filmmaker Steve Catieau (MARIE MADELEINE)
MARIE MADELEINE was the winner of Best Film, and Best Performances at the April 2016 FEEDBACK Film Festival. I recently interviewed the filmmaker to chat about his experiences making the film. Interview with Steve Catieau: Matthew Toffolo: What motivated you to make this film? Steve Catieau: I wanted to express something about our society. For me,… Continue reading Interview with Filmmaker Steve Catieau (MARIE MADELEINE)
Interview with Filmmaker Philippe Woodtli (ACROPHOBIA)
It’s amazing to see people from the other side of the planet that are watching our movie and enjoying it.
Then I was amazed seeing the different reactions. That some thought it’s a parody or the cure for Acrophobia. I’m always impressed on the different views and approaches that different people have. And on the different mindsets and how exactly the same thing is interpreted and analyzed in totally different ways.
For me that’s the beauty of filmmaking. You can have an idea on how people will react to it, but you can’t be sure until they have seen the film. Which makes it really interesting.
Interview with Cinematographer Julio Macat (Home Alone, Wedding Crashers, The Boss)
The biggest change in our industry has been the choice of material that studios and most independent financing companies green light, as what films are made. It used to be that a film like ORDINARY PEOPLE would have no problem going forward, especially with a good director attached. Now, great films like that rarely get made anymore. I miss that.
Matthew Toffolo's Summary 