The biggest change in our industry has been the choice of material that studios and most independent financing companies green light, as what films are made. It used to be that a film like ORDINARY PEOPLE would have no problem going forward, especially with a good director attached. Now, great films like that rarely get made anymore. I miss that.
I am most proud of my latest film, 10 Cloverfield Lane, because the photography is very close to what I had hoped we could achieve, and in some scenes, better than I hoped. My favorite experience was receiving an email from JJ Abrams about 2 weeks into principal photography, telling me how great he thought everything looked.
There really is no normal to my job anymore. Every project seems to be different and now and asks for different. A film project could call on a storyboard artist at any stage from pre-pre production, ( when the film is trying to get funding) right the way through to post production for VFX, (after principal photography has been completed). The bulk of my work tends to be early in the pre-production taking the first pass at sequences to get the ball rolling on them. Usually I’d start with a chat with a Director, though it could be VFX supervisor, production designer and then work on from there. I use to expect to finish when filming starts but now i might stay almost to the end of shooting then be called back for reshoots and post production.
FILM SHOTS FILMMAKING NOTES Interview with Oscar Nominated Production Designer Michael Corenblith FILM DIRECTING SHOTS – One of the most over used cliches in film is “The Shots are all you have.” The following are what you need to think about practically so you can think creatively and device the best shot list and camera… Continue reading The SHOTS are all you have. Film Directing SHOTS