I was fortunate enough to sit down with filmmaker Sami Khan to chat about his feature film KHOYA. It’s currently playing at the Carlton Cinemas in downtown Toronto, a place that I’m very familiar with as that’s where we do the FEEDBACK Film Festival every month.
Tag: Matthew Toffolo WILDsound
Interview with Filmmaker Chris Hale (EVERYBODY FALLS DOWN)
I was pleasantly surprised watching the feedback video, I was glad someone noticed the use of music for instance and even the mildly negative comments were useful as a filmmaker as they were about things I’d purposely chosen to do or not include and it made me realise I was comfortable with my decisions. Also the fact that someone said they’d be more likely to help because of watching this film was fantastic as thats all I ever wanted.
Interview with Filmmaker Clark Ferguson (SHADOW OF A GIANT)
I wasn’t able to attend the screening but to see an audience watch a work and give feedback (that was good!) was really touching. It actually felt really great to watch the reactions of those who expressed themselves. I also though Lesley Johnson did a great job responding to questions about what it’s like to live near the site and talk about the process of making the project. But ultimately, I was very touched to hear the first speaker react to projection. And the many that followed. It felt good in my heart.
Interview with Filmmaker Daniele Bonarini (LIKE A STAR)
Daniele Bonarini’s short film, LIKE A STAR, played to rave reviews at the May 2016 Documentary Short Film Festival. Interview with Daniele Bonarini: Matthew Toffolo: What motivated you to make this film? Daniele Bonarini: For many years, i work primarily with people with physical and intellectual disabilities. I grew a lot as a director and film-maker… Continue reading Interview with Filmmaker Daniele Bonarini (LIKE A STAR)
Interview with Filmmaker Andrés Passoni (CHAMPION)
Andrés Passoni’s short film was the winner of Best Picture at the May 2016 Documentary Short Film Festival. Interview with Andrés Passoni: Matthew Toffolo: What motivated you to make this film? Andrés Passoni: I love animals and when I heard about greyhound races I instantly felt very attracted to immerse myself in this world. I thought… Continue reading Interview with Filmmaker Andrés Passoni (CHAMPION)
Interview with Filmmaker Christopher H.K. Lee (The Last Tear)
I’ve heard about the topic “comfort women” many times in the news, media, books, newspapers, etc. but I never had my interest in the subject until we began our research with the students about a possibility of putting together a documentary. We traveled thousands of miles to visit the actual historical locations and had the opportunities to meet with the ladies still alive and be witnesses of the scars left on their bodies and souls. Some were supported by the political platform and some were a part of an organizational base trying to make their voice heard which is unknown to the rest of the world. They are becoming weaker day by day and we believe that such traces of painful memories and tragic stories cannot be restored but by remembering them and embracing them, we will provide them the sense of closure.
Interview with Costume Designer Malgosia Turzanska (Maggie’s Plan)
Malgosia: It starts with the script. I read it once or twice and create a primary, emotional response to the whole piece or to specific characters. That phase tends to be pretty abstract, raw and untethered. I’m often drawn to images that are seemingly not relative to the story, but I later discover that they become the core of the design. So I don’t censor myself at that phase and just go with my gut. Then I do a proper breakdown, which helps me learn the script by heart, and research it properly. I study the specifics of the period and environment where the story takes place, which includes reading books, looking at photos, going to museums, watching movies — whatever is available. That’s one of my favorite stages, because you come across so many unexpected tidbits that gradually shape the design. I then create a moodboard for each character and start sketching. I find that sketches are a crucial part of my process. It’s a moment where I start asking specific questions about the characters, when the initial abstract ideas begin to take a concrete, realistic form. Fabric swatches are very informative and inspiring during that phase too — color and texture are my favorite things to play with, and often I’ll dye or fade swatches to see what happens to the color or pattern and find surprising outcomes that I wouldn’t necessarily think of off the bat. Of course throughout the whole process, I talk to the director, DP and PD and exchange ideas to make sure we’re on the same page.
Interview with Composer/Vocalist Dominic Lewis (Money Monster, Batman v Superman)
Dominic Lewis is a pure talent in the industry. He is a master vocalist, and composer of the new film “Money Monster”, directed by Jodie Foster and starring George Clooney & Julia Roberts. I had the privilege to interview him and talk about his career and the art of music in film.
Interview with Director Kjersti Steinsbø (HEVN)
Kjersti Steinsbø’s feature film HEVN (Revenge) is a fascinating take on a classic movie plot. What happens when you seek revenge? It also tackles the subject of sexual abuse and the men who get away with it. HEVN is currently playing at the TIFF Lightbox in downtown Toronto. HEVN is a terrific film and it… Continue reading Interview with Director Kjersti Steinsbø (HEVN)
Interview with Writer/Director Rebecca Miller (Maggie’s Plan)
Rebecca Miller is known for The Private Lives of Pippa Lee (2009), Personal Velocity (2002) and The Ballad of Jack and Rose (2005). She has been married to Daniel Day-Lewis since November 13, 1996. They have two children. She is the daughter of playwright Arthur Miller and photographer Inge Morath.
