WALK, directed by Nicola Balhuizen Hepp played to rave reviews at the Under 5 Minute FEEDBACK Film Festival in July 2016. It was an honor to interview her: Matthew Toffolo: What motivated you to make this film? Nicola Balhuizen Hepp: In dealing with my father’s ageing process, my films are exploring themes and issues that have… Continue reading Interview with director Nicola Balhuizen Hepp (WALK)
Greg D’Auria is very modest as you’ll see when you read this interview. He’s a wealth of knowledge and an amazing storyteller – as he seems to be the last to know this! He has worked in the editorial department on over 30 productions in the last 20 years. His list of credits include: Star… Continue reading Interview with Editor Greg D’Auria (Star Trek Beyond, Fast & Furious 6)
CLEAN BREAK, directed by Tim Butcher was the winner of Best Overall Performances at the July 2016 Comedy Short Film Festival. It was an honor to sit down with him to chat about his film and filmmaking career. Matthew Toffolo: What motivated you to make this film? Tim Butcher: I wanted to make a film… Continue reading Interview with director Tim Butcher (CLEAN BREAK)
Chatting with Tia Nolan about the craft of editing was a pure joy. Her recent credits include: How to be Single (2016), Angie Tribeca season 2 (2016), Annie (2014), Friends with Benefits (2011), The Woman (2008), and Bewitched (2005). She is a wealth of knowledge in the art of making a great comedy – as you’ll learn… Continue reading Interview with Editor Tia Nolan (How to be Single, Friends with Benefits)
Although there is a romance and nostalgia for film negative, digital imaging has really improved lighting for movies. We are much more comfortable with underexposing now than in the past. Of course Savidis, Khondji and Willis did great underexposing and making bold lighting choices, but now you see modestly budgeted TV shows that look bold and interesting.
The Mindy Project has been an incredible experience. We are headed into Season 5 soon which will be my 3rd season with the Mindy team. Our main goal is to make Mindys world come to life, every week with a very ambitious schedule. We shoot our half hour episode every 5 days. This means we are prepping, shooting and wrapping all at once. We often crossboard which means we shoot multiple episodes at once.
Perhaps the most valuable experience was making a mistake on a job an realizing that that sort of stunt is not something I want to do, and being honest with myself about it. Why try and do something and risk not only yourself but others. We all have things we thrive at and fail at.
Malgosia: It starts with the script. I read it once or twice and create a primary, emotional response to the whole piece or to specific characters. That phase tends to be pretty abstract, raw and untethered. I’m often drawn to images that are seemingly not relative to the story, but I later discover that they become the core of the design. So I don’t censor myself at that phase and just go with my gut. Then I do a proper breakdown, which helps me learn the script by heart, and research it properly. I study the specifics of the period and environment where the story takes place, which includes reading books, looking at photos, going to museums, watching movies — whatever is available. That’s one of my favorite stages, because you come across so many unexpected tidbits that gradually shape the design. I then create a moodboard for each character and start sketching. I find that sketches are a crucial part of my process. It’s a moment where I start asking specific questions about the characters, when the initial abstract ideas begin to take a concrete, realistic form. Fabric swatches are very informative and inspiring during that phase too — color and texture are my favorite things to play with, and often I’ll dye or fade swatches to see what happens to the color or pattern and find surprising outcomes that I wouldn’t necessarily think of off the bat. Of course throughout the whole process, I talk to the director, DP and PD and exchange ideas to make sure we’re on the same page.
Dominic Lewis is a pure talent in the industry. He is a master vocalist, and composer of the new film “Money Monster”, directed by Jodie Foster and starring George Clooney & Julia Roberts. I had the privilege to interview him and talk about his career and the art of music in film.
What fun it was to sit down with stunt performer Luci Romberg, who has recently been working as Melissa McCarthy’s stunt double (Ghostbusters, The Boss, Spy, Identity Thief). She has also performed stunts on over 60 films in the last 10+ years, including Transformers, The Conjuring, Divergent, Zombieland, and Earth to Echo.