Interview with Writer/Director Jon Silverberg (DISAPPEARED)

I was very pleased to hear people really understand the twists and turns of film, the conflict of the lead character, and the desire to see what was on ‘the other side’. As a filmmaker, you make lots of little decisions based on your instinct, and it was wonderful to hear people really connecting with the material.

Interview with Filmmaker William Mussini (F**KING WORLD)

The short film F**KING WORLD is a must see 1 minute blast. It hits on a lot of emotions that many of us are feelings, plus it’s really funny. William Mussini’s film played to rave reviews at the WILDsound FEEDBACK January 2016 Film Festival.

Interview with filmmaker Hani Eskander (OH MY OH AGAMI)

Here are actual people, physically there, physically commenting and reacting to something I had created earlier at home, almost alone. I loved what most had to say and I cannot descrivbe how happy it makes any filmmaker I’m sure, to watch audience feeling and reacting to the film he/she helped create. It’s a very reassuring feeling… that film is powerful… it DOES transcend space and time and gets a message and an emotion through very well.

Interview with Screenwriter Bruna Rubio (VAMPIRAS)

I love the first girl totally got my original idea of Vampiras been a TV series 🙂 The porn part was also funny. ..you have to understand that Spanish TV it’s always a little cheese lol .Also that was my intention … to have the old school vampire formula… of dark comedy mixed with surprises and a little bit of sexy.

Interview with filmmaker Sam Brewster (Misstep)

I really appreciated the empathy that the audience had with the morality of the tale, so I’m glad that I got that across in the film. It’s by far my least divisive story, so I think it is more palatable than some of my other shorts, where the protagonist rarely learns a lesson.

Interview with Kami Asgar, Oscar Nominated Sound Editor

Everything used to be a lot more time consuming and cumbersome.
As an example you had to go down to the sound library and search through reels of sound fx (later CDs) armed with a notebook looking for one sound effect. You usually picked the first one you found, took it back to your room, and sampled it in to the computer and synchronized it to the picture and went to the next effect and the repeated the cycle. since you could only do very short sequences because of lack of computer memory, you laid back to tape and hand wrote (legibly) each event on a cue sheet for the mixer.

Now you audition sounds from your database of hundreds of thousands of sound effects available to you remotely and pick just the right sound, and if you want to alter the sound, you have at your disposal a dizzying amount of plug-ins to change every aspect of your sound to fit the picture. You then upload it for the mixer to open in his session. (no more carrying reels and reels to the stage)

Watch LAPSUS Short Film / The Most Awarded French Short Film Ever

LAPSUS, the award winning short film from France played at the WILDsound FEEDBACK Film Festival in November 2013. It had a very polarizing reaction from the audience. Some called it brilliant. Others called it….. The film is now available to watch online. WATCH LAPSUS NOW: LAPSUS – 62 AWARDS / 103 OFFICIALS SELECTIONS http://www.lapsus-film.com prod@come-on.frContinue reading Watch LAPSUS Short Film / The Most Awarded French Short Film Ever

Interview with George Pogatsia, filmmaker/actor “Family on Board”

Thankfully, everyone responded well to the script. Tony Sirico & I have the same manager, he absolutely loves the film, he’s very proud of it. Eric Roberts signed on almost immediately after reading it, he thinks the sky is the limit. Karina Arroyave auditioned & blew everyone away. She a huge supporter, she thinks it’s amazing. I’m sad to say that Matthew Cowles never got a chance to see it, but his wife Christine Baranski thinks it’s beautiful.

Interview with Adam Beal, filmmaker of the Horror/Comedy short THE LITTLE MISSUS

As with anything I make, I went into the feedback cringing, but as soon as people started talking, I became overjoyed. It was really positive and really appreciated! I’d have been way harder on it myself, but then I tend to be hypercritical of anything I make…

Interview with Daniel Reimer, short filmmaker BELL TOWER ENIGMA

It was amazing to see the audience interact with the film. As a short filmmaker you rarely get the opportunity to get that much of detailed feedback from an audience. The general statement “It looks beautiful, but what the hell is going on” didn’t come as that much of a surprise as it is similar to reactions we received from other audiences 🙂 However, I myself enjoy films (or any piece of art for that matter) where there is lots of room for personal interpretation. So it is not that much about the intention of the writer or director, but more about what the audience makes of it for themselves. So in that sense I very much enjoyed the different interpretations and speculations concerning the story.