Interview with Filmmaker Gabriel Galand (HORLA)

HORLA played to rave reviews at the October 2018 HORROR Feedback Film Festival in Toronto.

Matthew Toffolo: What motivated you to make this film?

Gabriel Galand: “Horla” was my thesis project for my Bachelor of Fine Arts and I wanted to make a film which had room for cinematography and production design. I remembered liking the eponym short story by Maupassant and after looking it up, I found that it was in the public domain and that I would be able to adapt me so it rejoiced me!

2. From the idea to the finished product, how long did it take for you to make this short?

The film took about a year, 3-4 months for the writing process, from the adaptation to the shooting script. We shot in summer and post-production took 6 months as I decided to start editing from scratch after graduation to release a better version.

3. How would you describe your short film in two words!?

Romantic Horror

4. What was the biggest obstacle you faced in completing this film?

The post-production was tough. Flaws in the script were enhanced in the editing so I had to take creative steps to find a solution. It involved reframing, using pre-lap sounds and voiceover and FX.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was happy to see that the audience had remembered the character’s names and were able to distinguish plot elements only from the sound design. I also enjoyed listening how people would compare the story and its characters to real life issues.

Watch the Audience FEEDBACK Video:

6. How did you come up with the idea for this short film?

See the answer from question 1: I remembered liking the eponym short story by Maupassant and after looking it up, I found that it was in the public domain and that I would be able to adapt me so it rejoiced me!

7. What film have you seen the most in your life?

I have watched the Lord of the Rings and Harry Potter series a lot!

8. You submitted to the festival via FilmFreeway, what are you feelings of the submission platform from a filmmaker’s perspective?

I like the filmfreeway platform. It’s easy to use, has a great catalogue and is cheaper than the competition. I actually wrote an article about it a few years back: https://www.linkedin.com/pulse/filmmakers-guide-online-film-submission-platforms-gabriel-galand/

9. What song have you listened to the most times in your life?

There are too many to pick just one!

10. What is next for you? A new film?

I have just directed a new film in America, untitled in true Canadian fashion “I’m Sorry”. It’s about a guilt-ridden mother who makes a grisly confession following the unexpected return of her missing son: here is the trailer. I am also writing two feature screenplays. Happy Niko is an English/Korean drama about depression and assisted suicide, and Entropy is a post-apocalyptic sci-fi which deals with consciousness and human instincts.

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Interview with Filmmaker Gabriel Galand (ABOVE THE MIST)

ABOVE THE MIST played to rave reviews at the June 2018 HORROR/THRILLER FEEDBACK Film Festival in Los Angeles.

Matthew Toffolo: What motivated you to make this film?

Gabriel Galand: After having lived in Korea for a year, the societal issue of suicide became evident and I felt the need to make a film about it. My wife, Laura Katz, and I thought of a way to tackle the issue in a genre film since I am more keen on Thriller/Horror than drama.

2. From the idea to the finished product, how long did it take for you to make this short?

The film was shot in two days. We wrote after we found the location and it took six months to make it from scratch to finish, with a budget of $1000 USD, and with only five crew members. The reasons it was such a small crew were firstly that I wanted to make sure I could compensate each member for their time and also because my previous film Horla had a crew of 35 and I wanted to test my ability to make a bare-bone film. So we all shared responsibilities, I was the director, cinematographer and editor, my wife the producer, production designer and sound designer and finally our friend as assistant director and translator.

3. How would you describe your short film in two words!?

Dignified death?

4. What was the biggest obstacle you faced in completing this film?

The sound of the film was entirely made in post-production. You can imagine the challenge of doing ADR and using only pre-recorded and copyright free sound to make the mix but it came out beautifully!

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I’m always worried that people will be offended since such a serious issue is tackled in a thriller/horror but every time I get the chance to see audience interacting about my film, they usually center the discussion about suicide and euthanasia which is all I’m hoping for.

Watch the Audience FEEDBACK of the Short Film:

6. How did you come up with the idea for this short film?

We were walking one day in Seoul, crossing a bridge on the Han River and we saw all these posts to “prevent” suicide. And it just made us realize how much suicide was anchored in the modern culture of Korea – perhaps like gun violence in the USA – with society accepting it as a fact.

7. What film have you seen the most in your life?

One of my favorite films is Barry Lyndon by Kubrick. I love period movies and I think it’s one of the best ones out there!

8. You submitted to the festival via FilmFreeway, what are you feelings of the submission platform from a filmmaker’s perspective?

It’s my favorite platform – I even wrote an article about all the existing platforms, having used a bunch of them in the past.

9. What song have you listened to the most times in your life?

I love listening to Devendra Banhart – in particular to his song “Brindo”.

10. What is next for you? A new film?

I’ve recently moved to Vancouver, BC and about to start graduate studies at UBC in film production. I’ve been working on a few commercials and looking forward to directing another short film around the end of the year and perhaps a few music videos.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every single month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 3 times a month. Go to http://www.wildsoundfestival.com for more information and to submit your work to the festival.