Interview with Actors Stephen Tracey & Erica Anderson (PREY)

PREY played to rave reviews at the August 2018 Female Film Festival in Toronto.

Matthew Toffolo: What motivated you to make this film?

Taking a quote from the director, Vivien Endicott- Douglas, who says it best:

“As women, we are predominantly conditioned to believe that we must sacrifice our own happiness and comfort for the sake of staying in a relationship. The relationship is paramount. It takes a great deal of will to be able to free ourselves from this reality and shift the paradigm. Prey is the beginning of one woman’s journey to come home to herself. We were inspired to document that first step, the realization that she cannot have the full life she wants, be the whole person that she knows she is capable of being if she is in attachment with either of the men she’s between.”

We wanted to show that moment of discovery, and the struggle leading up to it. Because this is a timely discussion and an important one. Especially as young women learn to navigate relationships as well as building their identity. And that sometimes the ones we feel we love the most are actually the ones holding us back from where we want to be.

We also wanted to make a film about a woman, written by a women and made by women. There’s such a need for female representation beyond the camera and we wanted to help promote young Canadian female film makers.

2. From the idea to the finished product, how long did it take for you to make this short?

The light bulb went on sometime during February of 2017. That’s when script meetings and the team building process began. We didn’t shoot until the beginning of June 2017. Which was an incredibly long night shoot. Started at 4:00pm and went all the way until 6:00 am. Don’t worry, craft was bountiful. And then post went on until about March 2018. So just over a year.

Many of our crew (pre and post production) are young film makers, and finding the time to access these budding artists with a lower budget provides obstacles because not only are they working on other projects but they also have non industry jobs to keep food on the table. So we had to find flexibility with our timeline. Which is just the reality of establishing artists.

3. How would you describe your short film in two words!?

The audience at the Female Festival had such a colourful conversation/commentary about the piece that for us to pin hole it might be a disservice to the viewing experience. Part of our story telling was an emphasis on ambiguity and challenging of expectations.

But here are some themes to think about:

Personal awakening
Self discovery
Gentle empowerment

4. What was the biggest obstacle you faced in completing this film?

It for sure goes back to that earlier comment about people’s schedules. Had we a giant juicy budget, schedules would’ve made themselves more readily available but because of our circumstances there was more rigidity. And that had pushed our expected dates further.

All a learning experience as we continue to grow. The beauty is in seeing the completion of the project. From idea to product is pretty magical.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

It was really incredible to hear the audience react and be in the theatre to experience it firsthand. It was great to hear that so many people felt compelled to speak about the film and that it brought up conflicting opinions and discussion. It was especially encouraging to hear the women in the audience who immediately recognized the internal conflict within our protagonist.

Watch the Audience FEEDBACK Video:

6. How did you come up with the idea for this short film?

Prey was originally a full length theatrical play, written by Britney Tangedal for the 2014 graduating class of the National Theatre School of Canada. Both Erica Anderson and Stephen Tracey (the two leads) were also in that first production.

This particular scene comes near the end of the play and was always a highlight. There’s such a weight to it that is so universal and so human. It also had just the right amount of information to be a stand alone story giving it the ability to transfer from stage to screen.

7. What film have you seen the most in your life?

Erica- Under the Tuscan Sun. Guilty pleasure movie all the way. After watching it as a kid I painted a mural of sunflowers on my bedroom wall (thanks to my artistic mom for being so cool!) I think I’ve always been attracted to stories of women who do what they want. One day I’ll run away and renovate an old house surrounded by sunflowers. And also, Sandra Oh! She brings depth and humour to everything. She’s brilliant.

Stephen – Gone With The Wind. Grew up watching this movie over and over. Funny enough, it’s also about a woman caught between two men and more importantly about how this fiery woman steps outside of social norms into traditional male roles to save herself, her home and her family. In that order. It’s Scarlett O’Hara after all.

8. You submitted to the festival via FilmFreeway, what are you feelings of the submission platform from a filmmaker’s perspective?

It’s an easy and efficient way to submit to festivals already known to you and to learn about festivals you hadn’t of before. Giving your film the optimal amount of opportunity for your project to be seen.

9. What song have you listened to the most times in your life?

Erica- Again, in the not-so-gulty pleasures, anything Shania Twain. She practically raised me and i still break her out on a bad day. Currently though I have I Know A Place by Muna on repeat daily. I think the acoustic version is stunning.

Stephen- Unintentionally Brown Eyed Girl – because of any sort of family get together. I swear, it’s like they own nothing else. It’s their entire I tunes playlist. Intentionally, Nina Simone, all day every day.

10. What is next for you? A new film?

Erica- Catch her on screen in upcoming seasons of The Baroness Von Sketch Show (CBC) & Murdoch Mysteries (CBC). On stage at the GCTC in Lo (or Dear Mr. Wells) by Rose Napoli. And future personal films are in the dream and scheme phase but she’s excited to lift them off the page soon.

Stephen- Can be seen on CBC’s/Netflix’s Anne With An E season 2 coming September 23rd. He’s also in the process of writing his first feature.



By matthewtoffolo

Filmmaker and sports fan. CEO of the WILDsound Film and Writing Festival


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