CHRYSALIS was the winner of BEST ANIMATION at the December 2017 Animation FEEDBACK Film Festival.
Matthew Toffolo: What motivated you to make this film?
Ina Conradi: The idea for Chrysalis started in 2014. I have followed up the abstract and surreal structure of my earlier war film Elysian Fields (2013) and continued developing the story about life and death, around the theme of perseverance, metamorphosis and immorality. I wanted Chrysalis to install hope and to reflect on many topics such as life’s purpose and the human desire to explore the inner workings of the mind. However the idea of metaphysical quickly expanded to topics such as evil, dehumanisation, totalitarian governments, and environmental disasters. The quintessence legend of a butterfly summed up all of the ideas well.
2. From the idea to the finished product, how long did it take for you to make this short?
Two years- which is inclusive of stereoscopic 3D version of the film. The funding for the project was awarded in late 2014. The research and story board was done in January/Feb of 2015. Animation production started in 2015 March in tight collaboration with co-director and animation veteran, Mark Chavez, founder of Giant Monster- the animation/game company, and with Joshua Tan founder of CRAVEFX -the best VFX studio in Singapore. The sound effects and music were done by IMBA Interactive, led by Jeremy Goh.
3. How would you describe your short film in two words!?
4. What was the biggest obstacle you faced in completing this film?
The biggest obstacle was time and budget. We all work full time on other commitments and the project was put on hold few times. The budget was tight to cover entire original story board for the film.
The film had 11 chapters depicting the surreal journey of a monk. (Part 1 Conscious mind, Part 2 The Descend, Part 3 The Field, Part 4 Influencing the Field, Part 5 Chaos, Part 6 Dystopia, Part 7 Dehumanization, Part 8 Nefarious, Part 9 The Ascent, Part 10 Warriors and Survivors, Part 11 Integration)
5. What were your initial reactions when watching the audience talking about your film in the feedback video?
It was absolutely rewarding to hear the feedback and reactions of the audiences. Movie creatives on Chrysalis really want to know if their film do “wow” the audience. It is so valuable to see that the Chrysalis does sustain and build audiences’ involvement.
6. How did you come up with the idea for this short film?
I have been living in South East Asia in Singapore for the last 12 years. I am fascinated by diversity and unity of all the cultural traditions. There are hundreds of ethnic groups with their own distinct languages and culture. Many of religions are based on the idea that spiritual and supernatural powers constitute and heal the material universe. The original idea for the film was inspired by the monk that would undertake mystical journey to the worlds inhabited by spirits.. very often film has been mistakenly identified with Buddhism. Some Buddhism references in the film are just an umbrella for all of sorcerers, magicians, and priests. The film does not adhere to one or another religion. Rather to human desire to explore the spiritual.
7. What film have you seen the most in your life?
I am big fan of Rydley Scott’s movies
8. You submitted to the festival via FilmFreeway, what are you feelings of the new(ish) submission platform from a filmmaker’s perspective?
FilmFreeway is fantastic platform for submitting the films and recording the acceptance rate. There are many useful tools within the platform on how to navigate through various film categories. FilmFreeway allows for filmmaker to work independently and to take the role of publicity team allowing for as much marketing and publicity mileage as possible.
9. What song have you listened to the most times in your life?
I can be more specific about movie scores – Interstellar by Hans Zimmer
10. What is next for you? A new film?
Currently I am collaborating with my partner Mark Chavez, who was also co-director/producer on Chrysalis for a recently installed large scale urban media platform in Singapore called Media Art Nexus (MAN). The 2m by 15 m long led wall is installed at the Nanyang Technological University Singapore in a very public setting and seen by thousands of passers-by daily. It features real time animated works and video art by local and international artists. In addition to premiering our works in Tokyo for SGIO Tokyo last august we will be organizing two major events – one with ArtScience Museum in Singapore and another with famous Elbphilharmonie Philharmonic Hall Hamburg Germany, featuring novel experimental animation done for MAN.
|CHRYSALIS, 7min., Singapore, Animation
Directed by Ina ConradiBased on an old legend about the butterfly’s struggles the film is the symbolic metaphor of rebirth after death and fascination with the human innate drive to survive.
CLICK HERE – and see full info and more pics of the film!