Matthew Toffolo: What is your screenplay about?
Mark Allard-Will: Herculean Task is an attempt to Frankenstein Greek mythology with Black Comedy. The premise is simple: What if using terms of exaggeration could get us in to literal trouble, not just verbal discourse? The result is a bonkers script that, while needing a re-write, is an example of how something as rigid as mythology can be fused with irreverent styles of comedy.
2. What genres does your screenplay fall under?
The one definitive genre would be comedy, but a good moniker for the screenplay might be ‘fusion’.
3. Why should this screenplay be made into a movie?
Wilder forms of comedy are gaining traction now, in Canada, in the USA, Britain and Europe and this screenplay is inventive in it’s own way – inventiveness seems to be what producers are seeking out now. It utilises the graveyard humour of French and German comedy and that, in and of itself, is still fairly fresh to American, Canadian and British audiences.
4. How would you describe this script in two words?
5. What movie have you seen the most times in your life?
6. How long have you been working on this screenplay?
I probably dedicated about six hours to it and knocked it out as one of my comedy soaps (short sketches) scripts and moved on to the next one. Admittedly, it would need some touching-up by myself if someone were to adapt it.
7. How many stories have you written?
I’m a published author of graphic novels, so if you include my graphic novels and screenplays we’re probably looking at eight stories
8. What is your favorite song? (Or, what song have you listened to the most times in your life?)
Raining Blood by Slayer
9. What obstacles did you face to finish this screenplay?
For sure, I’d say my own self-dismissal
10. Apart from writing, what else are you passionate about?
I love mythology, regardless of whether it’s Norse, Greek, Mesopotamian, Aztec, Maya – it doesn’t matter, I love it all the same. I’m also a massive Metal Head and a huge fan of world cinema; to me, there’s nothing better than watching a German comedy movie or a Danish drama.
11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?
I love FilmFreeway. It’s easy to use and very intuitive, I’d recommend it to all budding film-makers and screenwriters
12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?
As a published author, I’m used to working with editors and I actually love the process of editing my manuscripts. What a good editor does is give you notes that help you make your work absolutely flawless; notes that give you ideas of how to improve your work in your own writer’s voice. So, you say feedback, I say notes that show me how this quickly banged-out script could be improved if a producer were ever to pick it up and ask for a re-write – to put it another way, I was happy with your notes, because they exposed the weaknesses in my script. As for why I entered the festival, every up-coming writer needs feedback from WildSound to channel their screenwriting in to being a better, stronger beast.
Watch the Screenplay Reading:
Comedy and mythology collide in Mark Allard-Will’s Short Screenplay, Herculean Task.
After climbing a Mountain with his girlfriend, Sheila, and claiming that he’s completed a ‘Herculean task’ in doing so, he mysteriously finds himself in Ancient Greece tasked with actually completing Herculean tasks (commonly known as The Twelve Labours of Hercules).
King: Allen Brunet
Narration: Isabel Kruse
Derick: Brandon Knox
Sheila: Kyana Theresa