Matthew Toffolo: What is your screenplay about?
George M. Johnson: In The Wonder, an ambitious Edwardian journalist saves an uncannily precocious child from drowning in a pond. The boy, Victor, reads through the library of the local aristocrat and rejects the accumulated knowledge of mankind before trying to communicate his own theory of life. This theory threatens authorities, particularly the local Rector, but also drives the journalist to the brink of insanity. In the end he discovers the boy dead in the same pond and is distraught, but manages to restore his sanity by writing the child’s story so that others may share the wonder.
2. What genres does your screenplay fall under?
I have adapted The Wonder from the early “scientific romance,” as speculative, science fiction stories were called, of the prolific writer J.D. Beresford’s 1911 novel The Hampdenshire Wonder. It has the caché of being the first “superman” story in English literature and probably the first story featuring what we now recognize as an autistic child. The Hampdenshire Wonder was praised by the likes of H.G. Wells, Graham Greene, and Alistair Cooke, among others.
3. Why should this screenplay be made into a movie?
We are fascinated by exceptional people who don’t fit in, who are compelled to convey a message more advanced than our capacities can handle – just think about the popularity of films about exceptional children, as in The Room, Gifted, and A Brilliant Young Mind, and stories about genius, such as The Theory of Everything and The Imitation Game.
The Wonder taps into our collective anxiety about the unknown, what it means to be human, and the possibility that we do not have all the answers about how the world works, despite our scientific advances and our obsession with information. For these reasons it is a compelling story for our time.
4. How would you describe this script in two words?
5. What movie have you seen the most times in your life?
Every so often I return to Monty Python and the Holy Grail, a brilliant send-up of a legendary quest.
6. How long have you been working on this screenplay?
I’ve been at it on and off for several years.
7. How many stories have you written?
I’ve drawn on my expertise in early twentieth-century literature to write several award-winning period dramas, but I also love writing contemporary satirical pieces, such as Mockus, a play about a clown who provokes a desperate Mayor into trying playful approaches to his city’s social and environmental ills, including replacing corrupt traffic cops with mimes.
Some of my other work can be viewed on my website: georgemjohnson.com.
8. What is your favorite song? (Or, what song have you listened to the most times in your life?)
Probably John Lennon’s Imagine because I believe in the transformative power of the imagination.
9. What obstacles did you face to finish this screenplay?
Beresford’s original novel, though a compelling read, is rather philosophical and is populated almost exclusively by male characters, so I had to imagine concrete scenes or set-pieces displaying Victor’s uncanny ability to predict seemingly random events as well as to develop a backstory for the unnamed narrator. I decided to weave in details from Beresford’s own life, such as his romance and marriage to his first wife Linda, an actress, in order to make the story more human and compelling.
I had written a biography of J.D. Beresford (Simon and Schuster, 1998) so knew Beresford’s descendants and they were happy to give me permission to pursue this project.
10. Apart from writing, what else are you passionate about?
I am passionate about peace, social justice, and environmental issues and recently was awarded the Peace Medal from the Y.M.C.A. for my writing and activism on these issues for over 25 years.
11. You entered your screenplay via FilmFreeway. What have been your experiences working with the submission platform site?
This platform is seamless. I like the fact that I can keep track of my submissions in one place.
12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?
I received very discriminating and supportive feedback on my script Peace Pledge, which won a full Wildsound Table Read and so decided to submit The Wonder. The feedback was really helpful, and encouraged me to make revisions.
Watch the Screenplay Reading:
A journalist finds himself fighting to protect a boy whose deformity might actually be a link to discovering the origin and true meaning of life.
Victor: Shawn Devlin
J.D.: Colin Sandquist
Narrator: Norma Dawn Dunphy
Ellen Mary: Melie B Rondeau
Man: : Neil Bennett
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