Interview with Filmmaker Deniz Campinar (THE REVELATOR)

THE REVELATOR was the winner of BEST FILM at the October 2018 Female FEEDBACK Film Festival in Los Angeles.

Matthew Toffolo: What motivated you to make this film?

Deniz Campinar: Oh God, that’s the question, right? And it’s a good one too! As a Turkish girl who grew up in Belgium and went to a Christian school, I could never fully understand the differences between the two worlds and religions I was living in. The question ‘but why?’ never went away. Why was my mother telling me that the Islam is the right religion while the priest at school told us that being a Christian is all that mattered? Growing up in a time where the Islam is so hated (and I can’t blame people for doing so) because of terrible people are doing terrible crimes in the name of a ‘God’. How come that things like terrorism is so sad, devastating and heartbreaking to us but people on the other side of the world are celebrating every defeat? That tells me that good and bad is rather a dark, subjective concept and it made me wonder. Belgium isn’t the religious little country that it used to be, it’s hard to be religious when nobody really is anymore. I want to believe but it’s a God damn struggle to do so! (Haha) Because WHY? I saw an interview of Stephen Fry, he answered the question ‘what would you tell God’ beautifully. That was the inspiration of the monologue Mason gave at the end of the film. I wanted to make the devil very likable, I wanted to explore his side of the story we find in the Quran. Wasn’t it kind of harsh to condemn him for eternity because he refused to kneel for something that eventually became a huge disappointment? I don’t know, you tell me. I wanted to explore all those questions and hope I succeeded a little bit. I can write a whole novel about a topic like this, but I’ll end it with that. (Haha)

2. From the idea to the finished product, how long did it take for you to make this short?

It took us about two years. It was a real adventure (every production is though). Can you believe that we worked on this for almost 2 years but the actual filming part only lasted 5 freakin days?! (Haha) The whole crew turned into zombies by day 5, but it was worth it and I can’t be thankful enough for every single one of them.

3. How would you describe your short film in two words!?

HOLY SHIT! (Haha)

4. What was the biggest obstacle you faced in completing this film?

Definitely time! Although we worked on it for two years, we had to get it on film in 5 days because of an unfortunate misunderstanding. It fits with the theme of the movie though, because we went to hell and back!

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was pleasantly surprised, I was shocked, because for the first time I realized that people across the world watched my movie all together. That’s crazy! I loved the feedback, It’s nice that people picked up on such small details like the apple and the way we dressed up the devil. There were little Easter eggs spread across the film, it’s nice that people picked up on that! The whole conversation about The Monkees was a direct reference to the story of how the devil got ‘kicked out’ of heaven (in the Quran). The restaurant ‘Sidora’ is an anagram for ‘Dorsia’, the restaurant in American Psycho. I wanted to link the whole Yuppy culture to Mason so that’s where the anagram came from. Stuff like that made it more meaningful to me and I hope the audience agrees.

Watch the Audience FEEDBACK Video:

6. How did you come up with the idea for this short film?

The writing process was a long and difficult road. I knew I wanted to tell a story that had to do with religion, something that would make the audience ask the same questions, I ask myself all the time. In the middle of the writing process I stumbled upon a story, a script, written by David Lambertson (shout out to this man!). The story ‘The Relevator’ was such a simple yet effective storyline, I immediately contacted David, asking for permission to film his script. But as time went on the story began to change, I added details and removed certain obstacles. The biggest changes were definitely the possibility that the elevator opens in a different setting (moments in Mason’s life), in the original script everything happened in the elevator. And a also the ending is very, VERY, different. I wanted a sad and a happy ending at the same time while still being satisfactory. So I killed off Mason, and there never was a God…

7. What film have you seen the most in your life?

That’s a hard question. I’m a big Lord of the Rings fan! Inception (by Christopher Nolan) is definitely a favorite. Every movie Leonardo DiCaprio plays in actually. Leo for life! (Haha). But the one I’ve seen the most in my life… Is actually a series. Every time a new season of Game of Thrones comes out, I watch the whole story again starting with season one! Season 8 is on the way, so I’m starting with season 1 next week! I’m scared because: Valar Morghulis…

8. You submitted to the festival via FilmFreeway, what are you feelings of the submission platform from a filmmaker’s perspective?

I like it a lot! It’s so freaking easy to use! Once you put in all the information you can just click away!

9. What song have you listened to the most times in your life?

That’s a difficult one too. I think it has to be a Linkin Park song. ‘Somewhere I belong’ and the whole Hybrid Theory album are definitely the songs I listened too the most times in my life. Since I was 11 eleven years old I’ve been a huge fangirl! Chester Bennington was the first man I ever fell in love with (haha). So yeah… He will never be forgotten. EVER!

10. What is next for you? A new film?

Who knows… January is the start of something new! It’s too early too share, but The Revelator is definitely not the last story I’ll be telling.

the_revelator

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