Interview with Cinematographer Tobias Datum (Imposters, Mozart in the Jungle)

tobias_datum.jpgIt was a pleasure to have the very talented Director of Photographer Tobias Datum answer some questions.

Go to his website for more information: www.tobiasdatum.com

 Matthew Toffolo: Is there a project to date that you’ve worked on that you’re most proud of?

Not really. I do love all the things I have worked on. I put my best effort into all of them.

Sometimes they turn our great, sometimes they are less successful (according to my personal opinion) but I have yet to have a bad experience making a movie (knock on wood).

What was the biggest thing you learned working on the many shorts that you DP’d?

Shorts can be a great opportunity to try things out. They have a very different rhythm from features and are less forgiving than a longer project can be. You need to find your groove on set a lot faster because the schedule is shorter and the same goes for what you are shooting.

Everything is a bit tighter and you can’t slip

What suggestions would you have for up and coming cinematographers who want to be where you are?

Just keep working.

Keep your expenses low so you can afford to take on projects that don’t pay much but are projects you feel strong about.

Be nice to everybody, stay curious and excited about the work

You have been in a unique position where you were the Director of Photography on two seasons of “Mozart in the Jungle” and the current 1st season of “Imposters”. How have those experiences been like working with different directors for each episode while being the driving force for the look and tone of the television series?

Both of those shows are pretty intimate affairs.

In both cases the majority of episodes are directed by the creators and over the now 3 years of “Mozart” we have grown into a bit of a family.

Outside directors are usually pretty good fits into the existing group. In both cases the creators of the show have a lot of control over the show and the hiring.

I have only had great experiences with the “outside” directors.

In prep the first AD will also give them a good idea of where the challenges are and we then tackle those together as a group.

Most of the time the directors will have a very good idea what the show and are there to play and all of us, cast and crew, are open to play as well.

What are you looking for in your director when working on narrative shorts or features?

Mostly whether I can imagine spending a lot of time together with that person and enjoy it.

What is a director looking for in you?

If I knew… it’s probably different every time.

Is there a project that you love to work on that you haven’t worked on yet? (genre, style etc..)

Anything Azazel Jacobs is going to make in the future.

Where were you born and raised? What becoming a successful DP something you always dreamed of doing?

I was born and raised in Frankfurt, Germany.

No one in my family worked in film or media related jobs and I also didn’t watch much TV or go to the movies as a child and young adult.

I always had jobs as a teenager and ended up being involved in a little music/theater venue. There were a few par cans and a little dimmer board there and one day a friend who also worked there asked me if I could imagine working with him and 2 other guys at a much bigger venue in the summer for an annual theater series. I said yes and I ended up working there for 3 summers.

In that period of time the audience number grew so big that they had to hire someone who was certified. I was 18 at that time. That person took me on as an assistant and introduced me to film. Somehow I liked what a DP did and started exploring anything visual. I did internships/apprentice ships at a post production, editing and animation and worked as a electric and grip and ultimately applied for film school in Berlin, Germany.

After that I went to AFI where a met a lot of people who I still friends with and work with as well.

In short it was a bit accidental and I am still learning as I try to catch up.

What film, besides the ones you’ve worked on, have you seen the most time in your life?

Perhaps Harold and Maude. Not sure. I do like american movies from that time for sure.

In general I gravitate towards older movies. Often international movies.

I really like that streaming service https://www.filmstruck.com/

_____

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

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