Interview with Winning TV PILOT Writer Katie Grotzinger (MINNIE NOIR)

What is your TV Pilot screenplay about?

Minnie Hughes is a hardboiled noir detective that also just so happens to also be the shortest girl in the fourth grade. When a candidate for class president’s show and tell South African ostrich egg goes missing, Minnie jumps on the case. Meanwhile, she also deals with her best friend Lincoln Park feeling under appreciated after she calls him her secretary and struggles with asking her crush, Vijay Sampat, a kind of male femme fatale, to be her dance partner for gym class.

Why should this screenplay be made into a TV show?

There are so many wonderful cartoons right now inspired by Japanese anime. They take joy in taking the viewer to strange lands and entertaining them with awesome action sequences. I think that’s great, but I also think there’s much to be mined from American genres like noir. Additionally, I think there’s room for quieter shows that embrace more what it’s like to be a kid. I think Hey Arnold and Recess both did that beautifully and I’d like to write something like that for kids growing up.

Most of all, Minnie is for every weirdo kid that finds solace into escaping into another world for one reason or another. For Minnie, it’s noir and her love of mystery comes from the fact that she never got to know her parents, so they’re the biggest mystery of all. If this show could make some kid feel less alone, that would the greatest honor.

How would you describe this script in two words?

Kid Noir

What TV show do you keep watching over and over again?

South Park!

How long have you been working on this screenplay?

Good question! This was actually my thesis project for my Screenwriting MFA at DePaul University in Chicago. I worked on this for a few semesters and now continue to tinker with it off and on.

How many stories have you written?

Quite a few! I try to write every day and have accumulated hundreds of false starts over the years. I have a handful of scripts I’m truly proud of.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

I’d say right now it’s “Something Beautiful” by Pansy Division.

What obstacles did you face to finish this screenplay?

I had a clear idea of the A story in mind from the get go, but my MFA thesis professor and classmates really challenged me to flesh out the B and C stories and I think the pilot is much stronger for it.

Apart from writing, what else are you passionate about?

I’m a total true crime geek. I regularly follow two true crime podcasts – The Last Podcast on the Left and My Favorite Murder. Both are absolutely fantastic. If I can’t think of anything to watch, I’ll turn on a cheesy serial killer documentary. Also, my favorite true crime book right now is The Yoga Store Murder: The Shocking True Account of the Lululemon Athletica Killing by Dan Morse.

Believe or not, my fascination with The Zodiac Killer actually made its way into an episode of Minnie Noir I’ve been writing – the Christmas special to boot! Nothing violent though, of course. Minnie just struggles to crack a mysterious, intensely complicated code from letters she’s received. (The code, naturally, is composed from stickers.)

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Despite working and reworking on this pilot as much as I have, I still recognize that it could always be better. I have a big place in my heart for this story and I want to do anything I can to make it the best it can be, so feedback is a must.

And it’s funny! See, originally, I had two characters named Connor. This was for a couple of reasons. For one, when I was growing up, there was a year where we had three Connors to one class, all spelled the same way, only to be identified by the first initial of their last name. I also have a common name and there’s usually another Katie, so I empathized. It seems like such a staple of childhood. It was also a shoutout to shows I loved growing up like Ed, Edd n’ Eddy and the Ashleys from Recess where the same names are part of the camaraderie and comedy.

But I had gotten the note before that having two Connors was confusing. I finally made the change when I got the note from you guys! Thank you for finally getting me to change it.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It’s been stellar! I’ve submitted a bunch of stuff through FilmFreeway and appreciate how easy it is to find specific contests for certain projects.

Any advice or tips you’d like to pass on to other writers?

I have difficulty finishing scripts unless I have someone to bounce ideas off of. Having a community of writers, or even just one friend, to get feedback from makes scripts come together so much easier and better than they would be in just the isolated writer bubble we all sometimes fall into. Also, watch episodes or read scripts similar to what you’re going for. It’s not only fun, but it’ll give you some inspiration.

****

CAST LIST:

NARRATOR: Becky Shrimpton
Minnie: Kate Varadi
Nick: Scott Beaudin
Dash: Merlin Simard
Ms. Kirkpatrick: Mahtab Sabet
Connor: Allan Brunet
Lincoln: Anthony Tran

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Interview with Winning Screenwriter Sheri Davenport (EYES OF DAWN)

1. What is your screenplay about?

Eyes of Dawn is new look at the life of Mata Hari. It tells the story of a woman far ahead of her time, a woman in touch with the strength, beauty and power of her femininity and her sexuality. A woman who loved with passion, danced with abandon, never gave up on finding the child who was taken from her. And in the end, she was a woman betrayed by men who were threatened by her free spirit — men in power who forced her into the world of espionage and ultimately took her life.

2. What genres does your screenplay fall under?

Historical Fiction

3. Why should this screenplay be made into a movie?

Because it’s time for more films about strong women overcoming obstacles to become their whole, complete, best selves. And the subject of men who feel threatened or insecure using their power to diminish, harass and limit women has never been more relevant than it is today.

4. How would you describe this script in two words?

Powerful. Relevant

5. What movie have you seen the most times in your life?

All About Eve

6. How long have you been working on this screenplay?

Two years

7. How many stories have you written?

Dozens.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

Rachmaninoff’s Rhapsody on a Theme of Paganini

9. What obstacles did you face to finish this screenplay?

Still facing some obstacles as I rework it into a three part series: To make each character arc interesting and believable and to reveal what truly drives Mata Hari, what’s in her heart.

10. Apart from writing, what else are you passionate about?

Theater

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I’ve had no problems. It’s efficient.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I loved that the festival focuses on women’s work. Also the chance for a reading was motivating and that feedback was included. I thought my feedback was terrific. I’m impressed by the effort the reader took and how truly helpful it was. I couldn’t be happier to be a winner and have a very professional read of my script. Thank you!

****

Mata Hari — a spy who betrayed her country or a woman ahead of her time? This is the back story of Mata Hari.

CAST LIST: 

NARRATION: Elizabeth Rose Morriss
Mata Hari: Marisa King
Bouchardson: Dan Cristofori
Vadime: Yehuda Fisher
Macleod: Michael Sabet
Clunt: Scott McCulloch
Sister Leonide: Elizabeth Skidmore

Interview with Winning Screenwriter Danielle Erlich (LEGACY)

What is your screenplay about?

“Legacy,” is a fantasy story rendering a teen’s initiation into a magical world, in order to find out the truth about his own origins. Lachlan is an outcast who
uses his journal to try and figure out why his father left him at such a young
age. After a horrible last day at school, Lachlan decides to go against his
mother’s wishes. He ventures to the ruins of an ancient castle by his home, to
write in his journal. On this day, Lachlan meets Atlas, the Centaur, after falling through a portal outside of the castle. Atlas will lead him on an adventure filled with magical, and mythological creatures. Lachlan will soon find out the truth about his own origins, which is that his father, Kyros, comes from an ancient, magical, royal family in a realm called “The Garden.” His father had gone to the human realm on a spiritual quest as all royals do on their eighteenth birthday. He fell in love with a human, Abigail, and they marry against Kyros’s parent’s wishes. Abigail then gave birth to Lachlan. Soon after, Kyros’s parents died leaving the kingdom of Gershwig situated in “The Garden” without a monarch. Atlas tells Lachlan that his father didn’t leave him by choice but rather to keep him safe. Upon the death of his parents, Kyros realized that an ancient prophecy about his son was beginning to come true. It was prophesied that, “A half human, half magical, royal child would be born. This child would be the only chance humanity and the magical creatures have of
stopping evil from enslaving them all.” Kyros tried to stop the prophecy by
returning to his kingdom, but he was to late. The die had already been cast.
Years later, Kyros gets kidnapped and disappears. This prompts Atlas to
retrieve the king’s son from the human realm, in order to save them all.

What genres does your screenplay fall under?

“Legacy” is the first screenplay in a big fantasy saga.

Why should this screenplay be made into a movie?

“Legacy” is not just a typical fantasy story. What it’s really about, is
the impact that parents have on their children. It is also about
overcoming obstacles, staying true to yourself, being loyal and the
lasting power of integrity. This is a tale of love and sacrifice.

How would you describe this script in two words?

Magical adventure.

What movie have you seen the most times in your life?

I would have to go with “Harry Potter.” I read all the books, listened
to them on tape, and own all the movies. I think J.K. Rowling is the
Tolkien of our time.

How long have you been working on this screenplay?

I have been working on the idea of “Legacy” for about eight years. I
was first published in the sixth grade. I won a poetry writing contest
whose prize was having your work published. Later in life, I started
working on “Legacy.” It took me eight years for the screenplay
because I was unaware at the time that I had a rare auto-immune
disease. This disease gave me brain fog, along with other symptoms.
It made it very difficult to write, and to engage in day to day
activities. Instead of giving up, I forced myself to sit in front of the
computer and write a little something everyday. I figured my writers
block would eventually lift. I was right. When I finally received my
diagnosis, which was eight years later, and started my treatments,
the writers block lifted. I have been non stop screenwriting ever
since.

How many stories have you written?

I am currently on my fourth screenplay, which is a sequel to “Legacy.”

What is your favorite song? (Or, what song have you listened to
the most times in your life?)

I would have to say my favorite songs are either “Dancing Nancies”
from The Dave Matthews Band, or “I Want My MTV” by Dire Straits.

What obstacles did you face to finish this screenplay?

I had a very large obstacle. A rare auto-immune disease that causes
the immune system to attack the nervous system. This led to brain
fog, writer’s block, and I became a prisoner in my own home as well.
One of the main themes I like to write about, is that obstacles aren’t
placed in your way to ruin you. Instead, they are placed there to
help you grow into the person you are meant to be. As long as you
have faith, trust your heart, and work hard, no obstacle can stop
you.

Apart from writing, what else are you passionate about?

I am extremely passionate about acting, and frankly just making
movies. I studied acting for over ten years, and after two years of
college, I decided to give acting a real try. I graduated from an
acting conservatory with a vocational degree in theatre. We spent
two years on script analysis and character breakdown. I feel it has
really helped me to create different character’s story arcs. When I
wasn’t acting, I was working with producers, directors, and
representation. I interned at Smart Entertainment, was the assistant
to the CEO at CFP Entertainment, and was a casting assistant on
location in Arizona for the film “Transamerica.”

You entered your screenplay via FilmFreeway. What has been
your experiences working with the submission platform site?

FilmFreeway has been a game changer. It makes submitting so easy.
I just wish that they had a way to rank all the contests, not just the
top 50 and 100. For instance, a lot of screenwriting competitions
seem not to be ranked. If they had a separate ranking system for
screenwriting festivals, that would be a dream come true!

What influenced you to enter the festival? What were your
feelings on the initial feedback you received?

“Legacy” is “Harry Potter” and “Lord of the Rings” fan fiction. When I
saw that there was a festival for fan fiction on FilmFreeway, I felt like
it was meant to be. The feedback I received was very helpful. I may
not have agreed with it all, but it definitely made me re-think certain
parts of my story. I feel like the people at the Fan Fiction Film
Festival really want to help develop you into the best writer you can
be.

****

Genre: Fantasy, Adventure

A boy, Lachlan, unknowingly stumbles into a magical world, outside of Dublin Ireland, where the father who had abandoned him as a child is king. He comes to find the king has been kidnapped, and it is up to him to save his father and marshal good against evil in this fight for all of humanity.

Narrator: Sean Ballantyne
Lachlan: Gabriel Darku
Ludlow/Kyros: Neil Bennett
Devlin/Atlas: David Schaap
Makani/Lynch: Noah Casey
Anya: Clare Blackwood

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Interview with Winning Screenwriter Jeff Racho (BUCCANEERS OF THE ASTEROID BELT)

What is your screenplay about?

It tells the story of a once-prosperous asteroid mining business driven to the point of bankruptcy after a disruptive technology from a rival entrepreneur crashes the market for space metals. The former owner and his crew are faced with a decision: eke out a substance-level life in the asteroid belt or steal a spaceship to return home.

What genres does your screenplay fall under?

Drama and science fiction

Why should this screenplay be made into a movie?

It hits on a lot of themes pertinent to the present: economic dislocation, worker anxiety, automation, “creative destruction” in the economy. A lot of present-day influences—such as behavioral economics and the author Matthew Crawford—are in the script but there are some hints of John Steinbeck and Richard Llewellyn too. So it’s taking some themes from classic works and seeing how they apply to the present. Plus I think it’s an interesting story and people seem to like the plot.

How would you describe this script in two words?

“Endowment Effect.” The endowment effect is a concept from behavioral economics and it’s a big theme in the script. It’s one of the causes of the protagonist’s conflicts.

What movie have you seen the most times in your life?

Probably “Raiders of the Lost Ark”

How long have you been working on this screenplay?

It began as a completely different short story draft in early 2016. I shelved it and came back to it in late 2016 and that’s when the final plot began to develop. I realized it would be too long for a short story so I decided to turn it into a screenplay. I spent a few weeks doing research to get the “science/engineering” aspects correct and had the first draft finished in a few months.

How many stories have you written?

I’ve had four short stories published and am trying to finish up a few more.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Tough one – “most times” is probably the album “Led Zeppelin IV” (I used to play the drums) but my favorite piece is probably Beethoven’s 9th.

What obstacles did you face to finish this screenplay?

I’m a horrible proofreader of my own work. Luckily I have a friend who owns a ghostwriting company and she’s also a novelist. She provided invaluable help with finding errors and feedback.

Apart from writing, what else are you passionate about?

In my day job I do legal and finance work for start-up companies. It’s a lot like writing: start with an idea and try to bring it to reality. Some of the things I’ve seen in the day job influenced the script.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I think it’s a great system. It was a great help finding appropriate contests & festivals and seamlessly handled the submissions.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I found out about you through a FilmFreeway search. When I wrote the script I kept thinking of Harrison Ford’s “you can type this – but you sure can’t say it” remark and tried to picture the various characters saying their lines so I like the “recorded performance” aspect.

The feedback was excellent and I really like this aspect of the festival. Good constructive (and honest) feedback is essential to make authors better but many contests and festivals don’t offer any! Your feedback definitely improved the latest draft of the script.

 

****

Genre: Sci-Fi, Adventure

After a disruptive technology from a rival entrepreneur destroys a once-prosperous asteroid mining business, the former owner and his crew are forced to steal a spaceship to return home—but the trip doesn’t go according to plan.

CAST LIST:

Narration: Xavier de Guzman
Jackson: Isai Rivera Blas
Jessie: Angelica Alejandro
Eva: Carina Cojeen

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Interview with Winning Screenwriter Clark Moriarty (LURE)

What is your screenplay about?

When a group of InstaSnap addicted Crazy Rich Kids ignore warnings not to go to the haunted Gomen Island, fun soon turns to horror when an activated augmented reality game forces them to #PlayOrDie

What genres does your screenplay fall under?

Horror

Why should this screenplay be made into a movie?

I think an audience would find it thrilling, scary and an entertaining night out/in, plus with all the tech stuff I think it’s really ‘now’ and is perfect for its natural audience.

How would you describe this script in two words?

Creepy horror.

What movie have you seen the most times in your life?

Silence of the Lambs

How long have you been working on this screenplay?

Since January this year.

How many stories have you written?

5 feature screenplays, 1 TV pilot, three novels, 1 stage-play.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Go Your Own Way – Fleetwood Mac – or pretty much most other songs by Fleetwood Mac.

What obstacles did you face to finish this screenplay?

Time poverty – I was supposed to be finishing my second novel…

Apart from writing, what else are you passionate about?

Animal Welfare/Rescue, particularly dogs.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I think it’s a brilliant tool. So useful to see so many amazing film competitions/festivals you probably wouldn’t hear about otherwise.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I thought it would be absolutely brilliant to hear audience feedback. It’s so key to hear this and often you don’t hear it until the very end of the filming process (when it’s too late to change it!). The initial feedback we received from the festival readers was very encouraging.

****

Genre: Horror, Thriller

When a group of Instasnap addicted Crazy Rich Kids ignore warnings not to go to the haunted Gomen island, fun soon turns to horror when an deadly augmented reality game forces them to #PlayOrDie. We like to think of it as Super Rich Kids of Instagram meets The Hunger Games.

CAST LIST:

Narration: Xavier de Guzman
Sofia: Carina Cojeen
Lily: Angelica Alejandro
Archie: Anthony Yu
Slick: Fabio Abreu

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

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Interview with Winning Screenwriter Maria Hinterkoerner (AS AN ACTRESS)

What is your screenplay about?

As An Actress, on a broad scale, is about being a woman in the “industry” and how one sometimes has to push through, gnashing teeth and throwing fists, to reach the goals we have set for ourselves. On a much more personal scale, it is Schneider’s story, of course, and her development from starry-eyed cinema fledgling on the set of Last Tango in Paris to wise and aware woman in her later life. Schneider’s experiences shed light on a specific cinematic arena and constellation, which more often than not is dwarfed by the film maker and male co-star’s mere presence. As An Actress gives voice to a story which was muted by societal and industry-inherent protocol.

What genres does your screenplay fall under?

It aims to be a biographical Drama.

Why should this screenplay be made into a movie?

Schneider’s experiences on the set of Last Tango in Paris have been reviewed again and again in the media. While there is enough articles in circular citation, there is no biographical account or closer inspection of the forces that literally “perforated” her integrity during and surrounding the making of Last Tango. In light of recent occurrences of sexual harassment, mainly directed towards younger women in the industry, As An Actress still has so much relevance, and sadly so.

How would you describe this script in two words?

painfully empowering

What movie have you seen the most times in your life?

Amélie

How long have you been working on this screenplay?

I have an on/off relationship with this script – altogether we’ve been dating for a good three years. A very early draft of it was my master’s thesis at uni. Since then, it has changed a lot, naturally. There’s always plenty a room to tinker with and sharpen into more refined, more appropriate shape.

How many stories have you written?

Around 15 in various stages of drafty-ness. Most of them feature strong female protagonists, as I believe there is still so much crucial storytelling ground to be covered.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

I’m quintessentially Austrian, which means I listen to classical music a whole lot. Since my early childhood, Antonio Vivaldi has always been my go-to guy – the Winter section of his Four Seasons grabs me right by the heart every single time.

When I write, I listen to piano strumming, right now by Ludovico Einaudi.
My favourite karaoke songs are Jason Mraz’ I’m yours and Anouk’s Nobody’s Wife, which sounds a bit bipolar, come to think of it.

What obstacles did you face to finish this screenplay?

I never have troubles finishing a script, and this one isn’t an exception. The major difficulty was to find the perspective that did justice to Maria Schneider’s experience. In its early draft, the story was framed by an interview with Bertolucci, which after some contemplation had to yield to make room for other scenes, because quite frankly, it’s not his story, it’s Maria’s. Another hurdle was not to victimize Maria. As a writer and woman, it’s a challenge to balance empathy and empowerment, especially if you want to do justice to a real human being and her experiences. Storyteller’s responsibility and thematic issues have to become indistinguishable.

Apart from writing, what else are you passionate about?

I spend lots of time and money at cinemas and theatres, naturally. I absolutely admire the power of language/s and how one can shape the world with words. I have recently rekindled my excitement for Flamenco, much to the dismay of my feet. And although I’m not blessed with any sense of winning ambition to speak of, I enjoy doing escape rooms and pub quizzes. And motorbikes, definitely those.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It’s quite purposeful, I’d say, and easy enough to use even for a technophobe like me.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

By nature of my script, women centred festivals are a good fit for it, so the decision was an easy one. The initial feedback was a lovely surprise, for sure. It is very thorough and insightful, very kindly worded, and enormously supportive and inspiring. I can’t wait to glimpse into the scene reading and delve back into Maria Schneider’s world.

****

 

Genre: Biography, Drama

In 1971, young French model Maria Schneider gets cast in Bertolucci’s scandal-ridden “Last Tango in Paris” next to an imposing Marlon Brando. Starstruck and inexperienced, Maria finds herself torn between what she wants and how much she is willing to swallow for her breakthrough as an actress.

Narrator: Val Cole
Maria: Clare Blackwood
Romeo: Gabriel Darku
Turtleneck: David Schaap
Marie-Christine: Lauren Toffan

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Interview with Winning Screenwriter Zach Closs (RED RIBBONS)

What is your screenplay about?

Two years, a month, three weeks and six days after a controversial exposé forced him to flee, a young journalist returns to his hometown, hunting the pardoned rapist that was the article’s subject, and rekindling a tormented relationship with one of the victims.

What genres does your screenplay fall under?

Romantic Drama & Psychological Horror; atmospherically, I wanted the script to play as a horror movie about emotional and sexual abuse.

Why should this screenplay be made into a movie?

I think most films that tackle subject matter like this tend to do so in a very glossy, very safe way, and while it is important to be respectful and considerate, I think there’s something to be said for more visceral, honest depictions that resist deifying the sufferers or simplifying their situations. I tried to accomplish that here. I also tried to explore the way society mishandles rape and sexual assault by painting the men accused of it as victims and bemoaning their ruined reputations, something I haven’t seen often on the big screen.

How would you describe this script in two words?

Raw, surreal.

What movie have you seen the most times in your life?

Probably a three-way tie between The Godfather, Hard-Boiled and all of the Star Wars movies.

6. How long have you been working on this screenplay?

I started working on it in the tail-end of 2015 and have been revising ever since!

How many stories have you written?

I’ve written 17 feature-length screenplays, 12 shorts, and about 100 poems.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Comfortably Numb by Pink Floyd I’ve listened to the most, favourite would probably be Dreams by Fleetwood Mac.

What obstacles did you face to finish this screenplay?

I wanted to be sure that Kim and Caleb both got equal screentime, and were developed enough that audiences didn’t feel like they were siding with one more than the other when it came time for them to confront each other. I also wanted them to be very likable and have a lot of personality, which usually calls for humour. It’s tough working humour into a story like this, and making sure the moments of levity didn’t feel out of place, or too much, was tough. It’s also pretty radically structured, which I felt was necessary to get into the heads of people who feel fragmented and stuck in the past; deciding how much information to give the audience without being overtly expository was a challenge.

Apart from writing, what else are you passionate about?

I love acting, especially onstage, which I think is more of an actor’s medium. Supporting and spending time with my close friends, family and loved ones is very important to me. I’m a bit of a wine snob, I love hiking, skiing, a good novel, and reading/writing poetry. I’m not always good at them, but I think video games are a fascinating up-and-coming medium.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I think FilmFreeway is a great tool for artists to discover and submit to festivals that best suit their work; my only advice to anyone using it is to carefully research any festivals they submit to, as unfortunately some (usually the ones that sound too good to be true) are scams.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I think the promise of feedback was a big reason for my submission, as constructive criticism can be hard to come by. The feedback I received was incredibly helpful; I could tell the script reader fully engaged with what I was trying to do, and suggested very clear, straightforward fixes.

****

Genre: Romance, Drama, Crime

Two years, a month, three weeks and six days after a controversial exposé forced him to flee, a young journalist returns to his hometown, hunting the pardoned rapist that was the article’s subject, and rekindling a tormented relationship with one of the victims.

Narrator: Sean Ballantyne
Kim: Lauren Toffan
Dancer 2: Clare Blackwood
Dance Leader: Val Cole

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox