Screenwriter Michele Reilly (STAG HUNT)

STAG HUNT, 12min., USADirected by Andre KezzynTrapped in a closed timelike curve, our duo is learning to cooperate by running through a paradox inside of an infinite hotel. By doing so, they seek an escape from the loop and meaning in a quantum multiverse. Get to know writer Michele Reilly: 1. What motivated you to… Continue reading Screenwriter Michele Reilly (STAG HUNT)

Interview with Production Designer Beth Mickle (Drive, Whiskey Tango Foxtrot)

I would absolutely recommend this route for aspiring production designers. The lower budget world is where you learn to be resourceful, where you can somewhat safely make mistakes which can be recovered, where you learn the complete fundamentals of how a film is made. I try to approach every production—large or small–with a calm nature, and I think that comes from being in the trenches for so many years and learning how to adapt to in all situations. The biggest con to this route is that formal “union” filmmaking can be a bit jarring when you do finally make the leap to the larger arena—but once you learn those nuances, the process really smooths out. That is definitely one pro if you do start in the larger union world—you learn those protocols right away, so you enter the film world knowing how union positions are categorized and how the different departmental responsibilities are broken down.