Originally posted on WILDsound Writing Festival:
Adam Steven Page has been fond of film and literature for as long as he can remember, what better to do than write his own novel. In early 2015 he penned his debut ‘A Victim of the Times’. Despite being born and raised and still living in the UK,…
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Interview with Novelist Lance Morcan (INTO THE AMERICAS)
Originally posted on WILDsound Writing Festival:
New Zealand novelist, screenwriter and film producer Lance Morcan is a prolific writer with various published books and released movies to his credit. His novels include the international thriller series THE ORPHAN TRILOGY (The Ninth Orphan / The Orphan Factory / The Orphan Uprising) and the historical adventure series…
Interview with Novelist Cynthia A. Morgan (Dark Fey Trilogy)
Originally posted on WILDsound Writing Festival:
Cynthia A. Morgan is the creator of the mythical realm of Jyndari and author of the epic fantasy Dark Fey Trilogy, which draws readers into a mystical realm of primordial forests, magic and the lives of Light-loving and Darkness-revering Feykind. Not to be confused with pixies or “Tinkerbell” type…
Interview with Novelists Omar Farhad (Honor and Polygamy)
Originally posted on WILDsound Writing Festival:
Omar Farhad was born in Kabul, Afghanistan. He immigrated to the United States in 1987 and currently lives in California. He holds an associate’s degree in aviation and a Bachelor of Science in Global Economics, both from US universities. Buy Books Online: http://www.amazon.com/Honor-and-Polygamy/dp/B01B5BH744/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=1462203708&sr=8-1 http://www.barnesandnoble.com/w/honor-and-polygamy-omar-farhad/1119467056?ean=9781491732953 https://www.goodreads.com/book/show/22221083-honor-and-polygamy Interview with Omar Farhad:…
Interview with Novelists Jan Porter (Soul Skin)
Originally posted on WILDsound Writing Festival:
Jan Porter finds the magic of the past and cosmos within every day unsung heroes and the human condition to share with you. She is a philosophical ponderer of human nature, quantum physics, spirit world, nature and of the cosmos, hence she does not hold to any one particular…
Interview with Novelist Shanice B. (Love Me If You Can)
Originally posted on WILDsound Writing Festival:
My name is Shanice B. I have been writing since I was nine years old. I’m currently 23 years old and is the oldest out of my two other siblings. I have one child who I love dearly. My passion is writing and helping others. LINK TO PURCHASE THEIR…
May 8th Writing Festival Details
Originally posted on WILDsound Festival:
This week’s writing festival is a showcase of some of the best spec screenplays in the world today. We will be performing the winning Thriller feature screenplay, 3 short scripts, plus the winning May 1st scene screenplays. Here are the details: Feature Screenplay: THE BOO, by Scott McEntire Genre: Thriller, Suspense, Horror,…
Highlights and Videos from the April 2016 WILDsound FEEDBACK TORONTO FILM FESTIVAL
Originally posted on WILDsound Festival:
Highlights from the Thursday April 28 2016 event. Watch the Audience FEEDBACK Videos. Moderated by Matthew Toffolo: https://www.youtube.com/watch?list=PL-0CVDAfvxir6Bsb1MUKQmvsa-CIyc5kW&v=pfbpCpxgETY The theme of the APRIL 2016 FILM FESTIVAL was: “Twist Endings”. Every film showcased on the night was about someone doing something bad for the sake of being good. Here’s the summary…
Interview with Writer/Director David Bezmozgis (Natasha)
Originally posted on Festival Reviews:
It was a pleasure sitting down with the writer/director of the feature film “Natasha”, which is the opening film for the 24th annual Jewish Film Festival on May 5, 2016. For tickets and information, go to: http://tjff.com/ David Bezmozgis is an award-winning writer and filmmaker. He is the author of…
Interview with Sound Effects Editor Matt Snedecor (Revolutionary Road, The Jinx)
Effects editors are responsible for building the entire sonic environment for a film, everything from backgrounds to the sync effects we see on screen. The majority (90% and up) of the sounds heard in film are added by editors. But it’s more than just see car, hear car. We also need to come up with sounds that identify with characters or moods or that tell stories without the audience having to see something on screen to know what’s happening.
Matthew Toffolo's Summary 