Interview with Director Steve Hally (TWISTED SOBRIETY)

Steve Hally’s short film was the winner of BEST PERFORMANCES at the September 2017 THRILLER FEEDBACK Film Festival.

Matthew Toffolo: What motivated you to make this film?

Steve Hally: We wanted to make something thought provoking something that stirred. Something that pushed people into an uncomfortable environment and asked them, if the world continues in the way it’s going what will happen? People get poorer and poorer without concern and people get richer and richer to the point of futility. When will this break the human condition and the human spirit, will it? Capitalism is a great system it’s done beautiful, amazing things but it’s being devastatingly and needlessly abused.

 From the idea to the finished product, how long did it take for you to make this short?

We took around a year to get the final product. We went through several processes and as an indie short you need to be patient to get the quality you desire. We first cast talent and then searched for crew for around two months to get the right pros for the job. We then shot over a hectic eight days, over various locations in London. Because of the complexities of our future scape and VFX post-production was the most patient part of our film. Waiting for rotoscoping, matte designs and computer designs was totally rewarding but very time consuming however to get quality of this standard takes patience. Our editor is Rebecca Lloyd who was the first editor ever to win the Break Through Brit award at the 2016 BAFTA awards. To ensure we had this power talent of editing a great amount of respect and understanding needed to be placed. Editing is the most important part of post-production, for the emotion and the direction. This can never be, taken for granted or ignored for speed or lesser abilities. You must have an editor that understands film emotion and not just the technical learning. Editing is a post production pillar that should always be the strongest. We then went on to colour grading which was done at the world renowned and respected colour studio Molinare. Again favours and patience played its massive part in this success. Film making is tough but if it was easy no one or everyone would do it. Only the mad few continue on.

 How would you describe your short film in two words!?

Bold provocateur

 What was the biggest obstacle you faced in completing this film?

Time, you always want things to move as fast as possible but as indie film makers patience and waiting can be a difficult game, you must learn this game. You’re on your own and things are never handed to you. You have to work hard and fight for it and be willing to wait.

 What were your initial reactions when watching the audience talking about your film in the feedback video?

I loved that people had something to say. Positive or negative, critical or complimentary an opinion was being made. That is a truly beautiful thing. Everyone has the right to an opinion and it should be embraced at all times. The worst thing would be no opinion at all, from anyone. As that means nothing has effected, nothing has played a part, nothing can grow or progress. I love positive and negative opinions as it means it has made an impact. I love at the end of an auditorium performance having the whole theatre chatting, that buzz of communication that used to fill the end of every film performance, that’s missing in places. People that chat about film in great praise or bad criticism is what drives film and makes film last and improves it. No one has the answers to film but everyone has an opinion, they are all most welcomed, everyone.

WATCH the Audience FEEDBACK Video: 

 How did you come up with the idea for this short film?

There is a cumbrous unbalance of wealth in this world. It’s becoming very hollow.

I wanted to show that in general we treat the homeless, the poor, the down trodden, the less wealthy, the less financially fortunate with such nothingness, with such an obtuse view that I started to think, what if they fought back. What if enough was enough and they were no longer sitting back taking the disregarded, blind-eye, blinkered abuse.

What if the very people the world dismisses and forgets turned and stole the very thing the world doesn’t allow them to have.

We wouldn’t see it coming.

 What film have you seen the most in your life?

That’s a big question, what genre? Lol

I watch a lot of films. I don’t repeat watch that much anymore as there are too many titles that I have not seen to fit into my life time.

12 Angry men is the best film I have ever seen. I could watch it on repeat.

 You submitted to the festival via FilmFreeway, what are you feelings of the new(ish) submission platform from a filmmaker’s perspective?

It’s actually the best one. I have never missed a notification or been left hanging. I promote it highly.

 What song have you listened to the most times in your life?

Another big question. I go through phases of genres then jump around music. The last song on my iPod was Victor Ganna – Mibanga but I’m heavily pulling on my classic Aphex Twin and Richie Hawtin tapes. But usually I push shuffle and see what pops up.

  What is next for you? A new film?

We are in discussion about either another short or perhaps a feature. But I’m still waiting for that gut reaction to kick in, so I can follow it.
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