Winning TV PILOT Reading of MINNIE NOIR, by Katie Grotzinger

TV Screenplay Festival. Submit Today.

CAST LIST:

NARRATOR: Becky Shrimpton
Minnie: Kate Varadi
Nick: Scott Beaudin
Dash: Merlin Simard
Ms. Kirkpatrick: Mahtab Sabet
Connor: Allan Brunet
Lincoln: Anthony Tran

Get to know the writer: 

What is your TV Pilot screenplay about?

Minnie Hughes is a hardboiled noir detective that also just so happens to also be the shortest girl in the fourth grade. When a candidate for class president’s show and tell South African ostrich egg goes missing, Minnie jumps on the case. Meanwhile, she also deals with her best friend Lincoln Park feeling under appreciated after she calls him her secretary and struggles with asking her crush, Vijay Sampat, a kind of male femme fatale, to be her dance partner for gym class.

Why should this screenplay be made into a TV show?

There are so many wonderful cartoons right now inspired by Japanese anime. They take joy in taking the viewer to strange…

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Winning TV PILOT Reading of PSI-COM 5, by Ed Vela

TV Screenplay Festival. Submit Today.

 

CAST LIST:

NARRATOR: Becky Shrimpton
Lynx: Merlin Simard
Lucien: Allan Brunet
Joselyn: Mahtab Sabet
Liticia: Kate Varadi
Titansor: Anthony Tran
Hadley: Scott Beaudin
Cho: Salma Dharsee

What is your TV Pilot screenplay about?

At a secret government facility, young psychics are being trained and their psychic gifts developed but when one group: Psi-Com 5, finds out about an enhancement program that is killing and maiming some of the younger less powerful psychics, while at the same time discovering a powerful young psychic on the outside being used as a pawn, they decide to try to escape the confines of the Clinic.

Why should this screenplay be made into a TV show?

Psi-Com 5 has at its core a few elements that make it very appealing for episodic television or platform viewing: it has well drawn characters relatable for who they are and who they aren’t, it has a basic…

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FEEDBACK FILM FESTIVAL Thursday – January 11, 2018. 7pm.

LOS ANGELES Feedback FILM FESTIVAL

The FEEDBACK Monthly Film Festival coming to Los Angeles.. Our LA home is Regal L.A. LIVE Cinemas, located in the heart of downtown Los Angeles (beside the Staples Center) at 1000 W Olympic Blvd.. The event runs from 7pm to 9:10pm.

Showcasing the best of short films from around the world, while maintaining our audience feedback format moderated by Shesput Wilson.

Tickets for are FREE or PAY WHAT YOU LIKE. Reserve your tickets online.

If you like to obtain seats in advance and pick them up on the day of the event (come for FREE, or make a donation), please email us atlatickets@wildsoundfestival.com and we’ll reserve seats for you.

1st ACT PROGRAM – Best CRIME/MYSTERY


STORY TO TELL, 15min., Japan, Crime/Drama 
Directed by Sayaka Nakane
A crime Japanese yakuza story.

CLICK HERE – and see full info and more pics of the film!

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Interview with Winning Screenwriter Carl F. Zimmermann (TOE TAG MURDERS)

1. What is your screenplay about?
Clearwater, Florida rising-star homicide detective, Mike Carol gets the chance of a lifetime when he goes to New York to work a two-year stint as a liaison in the Queens 112 precinct. But, the day he arrives bodies start showing up pitting him against the hardcore NYPD detectives he has to work with. The murder victims share two crucial clues – they were all booked for a crime they committed the day before they were murdered and they were all left posed with toe tags attached to their shoeless foot identifying that crime. Somebody doesn’t believe in the justice system. Somebody is a vigilante.

2. What genres does your screenplay fall under?

Crime, Mystery, Drama.

3. Why should this screenplay be made into a movie?

This is a delightful, suspenseful murder investigation that twists often accurately following NYPD protocol, but often in unconventional ways. You will be surprised by the reveal.

4. How would you describe this script in two words?

Intriguing investigation

5. What movie have you seen the most times in your life?

Broadcast News

6. How long have you been working on this screenplay?

I wrote it in 6 weeks

7. How many stories have you written?

4 finished features and numerous starts

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

“Suddenly I See” by KT Tunstall

9. What obstacles did you face to finish this screenplay?

Finding several NY detectives to consult with to keep things real and authentic – and to go from start to finish in 8 weeks.

10. Apart from writing, what else are you passionate about?

I am a teacher, a former member of the Florida House of Representaives and a used car dealer. I am passionate about doing the right thing in everything I do.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I love FilmFreeway. It simplifies things for everyone.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I entered because it was tailored to my genre and it was billed as a premiere festival. The feedback was outstanding. It was very complimentary and very detailed pointing out areas I knew needed to be worked on. I have taken the advice and am currently making the changes suggested.
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Interview with Winning Screenwriter JoAnn Hess (FRAMER)

1. What is your screenplay about?

Simon Webber, intelligent with a high moral compass, exists on society’s edge, mostly forgotten and ignored. When his wife and child are killed by a distracted driver, the court shows an unecpected leniency in the case. Enraged by a justice system that fails to act, Simon retaliates, using his highly technical skills to not only kill the guilty but frame another for the act. While his vengence is sated, its only temporary as he hunts among the dregs of society, where murder is the only outlet for his rage. Simon is pursued by Jack Donovan, an ex-FBI agent turned detective, dealing with his own moral crisis after failing to save a child from a serial killer. Where Simon sees a kindship in Jack who fights his own battle within a corrupt police department, Jack retains a stead-fast belief in the law. As their worlds collide, the line between morality and justice fade, causing a reckoning that neither can survive.

2. What genres does your screenplay fall under?

Thriller, Suspense, Crime

3. Why should this screenplay be made into a movie?

FRAMER’s themes of vengeance, moral justice and self-sacrifice will have strong appeal across multiple age groups and genders.

It will also garner appeal across social classes and race, especially with those that believe our political and judicial systems have failed. These are all very current and provocative social issues seen all over the news.

Women will be attracted to the struggle of both lead characters as they deal with family issues to protect or avenge children. In addition, FRAMER’s female cast covers a broad spectrum from motherly to strong policewoman exhibiting the characteristics of compassion, power and inner fortitude that audiences of today expect.

Men and older viewers are attracted to FRAMER’s action, suspense, tension and danger. The complex and intense plotline with unique twists will keep male viewers engaged.

Younger audiences will appreciate the cleverness in which Simon facilitates his crimes: the use of technology to commit, trap and frame his victims.

In addition, there is an exuberance of twenty-something characters engaging in activities that 18-30 year old audiences can relate to.

4. How would you describe this script in two words?

Vigilente justice

5. What movie have you seen the most times in your life?

The Lion in Winter, the subtextual dialogue exchange between the characters is the best I’ve ever seen.

6. How long have you been working on this screenplay?

Three years, this month

7. How many stories have you written?

12 scripts (8 for hire), 1-webseries (optioned), 2-TV series

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

In Your Eyes by Peter Gabriel

9. What obstacles did you face to finish this screenplay?

The key was to make an anti-hero character like Simon empathetic enough so an audience would relate to him. It was important to create a character such that, while on the surface his actions are horrific, how would anyone react in a similar situation? I wanted that conversation after the movie was over. Additionally, Simon’s adversary needed to be equally strong and wounded. To do these characters justice, I had to draw from darker places than I’m used to.

10. Apart from writing, what else are you passionate about?
I do Voice over work which is very rewarding and fun. My work can be found on several websites and I’ve voiced several audiobooks. I scuba, play golf when the weather is nice and can be found to play a videogame now and then – I especially like RPGs. Anything with a good story.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?
It’s really great overall. Easy to submit and find film festivals. There is a great amount of information given and I like all the submission in one place to track. It’s not very flexible though. I’d like to add festivals I entered (not realizing they were available through film freeway).

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?
I liked that it was genre specific. That I was competing with like scripts and the judges were experts in the genre. When you enter, a win needs to mean something and being chosen for a read through the Thriller Festival brings credibility to the script as it moves into market.

***

Genre: Crime, Thriller, Drama

A highly-intelligent, socially-disenfranchised man seeks moral justice and eludes a former FBI agent as he manipulates others to disguise his own criminal acts.

CAST LIST:

NARRATOR: Rachel Rain Packota

Jack: Isaiah Kolundzic
Walter: Julian Ford
Simon: Jason Gray
Christine: Vanessa Burns
Paula: Olivia Jon

Interview with Winning Screenwriter Robert Cox (DRAGONSONG)

  1. What is your screenplay about?

It’s the story of Tal, a young man with a magical heritage, the son of the Magician Merlin, who finds that after hiding his magic for most of his life, realizes that he must do battle with the sorceress that trapped his father and has tried throughout history to conquer England by allying herself with those who sought to invade her. Now, she has allied herself with the Nazi’s and only Tal, his friend Arthur and his RAF wing, four dragons, and his father Merlin stand in the way of an invasion.

  1. What genres does your screenplay fall under?

War/ Historical, Fantasy

  1. Why should this screenplay be made into a movie?

The film blends together World War II and the knights of the round table. There are scenes of war and scenes of magic, and the friendship that develops between two very different young men. It is a movie where good overcomes evil. But most of all, it is the story of a young man finding his personal strengths and the magical warrior within himself.

  1. How would you describe this script in two words?   

Historical Fantasy

  1. What movie have you seen the most times in your life?

August Rush

  1. How long have you been working on this screenplay? 

6 months

  1. How many stories have you written?

25 – 30

  1. What is your favorite song? (Or, what song have you listened to the most times in your life?)

“Here I Am”

  1. What obstacles did you face to finish this screenplay?

Combining actual events with Urban /Rural legends that got their start in WW II, along with the Welsh Language, and combing the German war archives for battle plans.

  1. Apart from writing, what else are you passionate about?

Grower and breeder of Orchids, Roses, and Plumeria. Avid reader.

  1. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

On the whole, I have been very pleased, with their timeliness and professionalism. It also is good for keeping track of those festivals that you’ve entered.

  1. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Have always been a fan of Sci-Fi/ Fantasy since I was a kid. After writing the script for ‘Dragonsong,’ was looking for a film festival that could appreciate it. Have found the feedback that I  received to be very informative and gave me many ideas that I have set to practice, not only in this script, but in others that I’ve written since.

***

Genre: Fantasy

A MIDWIFE carries a newborn to a forest cave. It’s 527AD. NIMUEH, the sorceress, waits there to cast a spell, encasing the child in a crystal tomb, as she did to his father, Merlin. Nimueh kills the midwife to hide her secret.

CAST LIST:

NARRATOR: Rachel Rain Packota

Carolyn: Vanessa Burns
Edward: Jason Gray
Midwife: Stephanie Haines
Nimueh: Olivia Jon

Watch the December 2017 1st Scene Script Winners

First Scene Screenplay Festival

ACTORAMERICAN SNAKE PIT – CRIME 1st Scene Screenplay
December 2017 Reading
by Dan Tomasulo
ACTORDRAGONSONG – FANTASY 1st Scene Screenplay
December 2017 Reading
by
ACTORFRAMER – THRILLER 1st Scene Screenplay
December 2017 Reading
by Joann Hess
ACTORSWIPE – TV 1st Scene Screenplay
December 2017 Reading
by Jeff D. Opdyke
ACTORLONG WAY HOME – COMEDY 1st Scene Screenplay
December 2017 Reading
by Patrick McGrath
ACTORTOE TAG MURDERS – CRIME 1st Scene Screenplay
December 2017 Reading
by Carl F. Zimmerman

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

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